I’m not sure how I feel about this one. It was an enjoyable read and beautifully drawn, but I spent so much of the time wondering if this was supposed to the bear/their relationship was supposed to be a metaphor for some under represented population or non-traditional couple. This didn’t necessarily take away from the story or the book, but it meant that I didn’t give it my full attention.
This one has been on my radar for a while, but it jumped up after someone posted the NPR article/review about Fence Vol. 2 on Facebook. I only read the first portion because I didn’t want to ruin anything in this volume or the next, so be warned!
Fence, Vol. 1 is the first four chapters of Pacat’s comic and it’s hard to say how much I liked it. I really enjoyed the illustration style of this and the story kept me engaged, but I’m realizing that I may be more of a graphic novel fan than a comic fan. That this was four issues and felt like it didn’t really get anywhere (even though it totally did) was problematic for my reading.
My heart is glowing after reading this. Seriously—I will probably read it at least 2-3 more times before I surrender it to the library. There’s just something so sweet and innocent about this and I cannot wait to read volume two: Sticks and Scones.
I found this after Sarah over at Sarah Reads to Much released the list of the Morris Award finalists (which she helped select). The blurb and the cover pulled me in so I added it to my list to check out at some point and then it appeared on someone else’s blog and I was like alright I’m in.
I randomly stumbled across the Kickstarter for the documentary version of this book. So of course I had to see if the library had it and it was in the one near me so I walked down and got it at lunch. It was a quick read and covered a wide variety of comics.
I mean 40 years in LGBT/Queer history covers so much from AIDS to decriminalization to marriage to adoption rights to the wonderful coming of age of trans* comics. (For more information on the asterisks check out this graphic (It’s Pronounced Metrosexual link). The anthology did a great job by dividing the comics into three era’s of queer comics: 1) Come Out: Gay Gag Strips, Underground Comix, and Lesbian Literati (1960s-1970s); 2) File Under Queer: Comix to Comics, Punk Zines, and Art During the Plague (1980s-1990s); 3) A New Millennium: Trans Creators, Webcomics, and Stepping Out of the Ghetto (2000s-today?). I listed all of the authors at the end of this post because they all deserve credit in this wonderful anthology.
After re-reading Fun Home for book group I dove right into the follow-up Are You My Mother? As much as I enjoyed it and ultimately identified with it, it didn’t live up to the magical experience of Fun Home. It’s hard to say whether this lack of magic was a result of the intense navel gazing or the less compelling surface emotional story. To be honest it could be the daughter identifying with mother as this is an experience/story that I will never experience in the same way.
This being said, the story was still eloquently and humorously told! The graphics were just as poignant and detailed as those in the original. I enjoyed the complete color shift from the green-gray to the red, especially when Bechdel revisited scenes from her earlier work and the emphasis changed slightly. The book list in Are You My Mother? wasn’t quite as long as Fun Home but it was still pretty impressive at 38 separate works listed.
I first read Fun Home in undergrad after my friend Mia gave me a copy not long after it came out in paperback. (I’m pretty sure it was paperback and I’m pretty sure it was Mia. I wasn’t so great at tracking who, when or where books came from back then…oh the olden days :-D)
Either way, I remember thoroughly loving it that first time I read it. I even went out of my way to read Camus’ A Happy Death after I finished even though I have very little recollection of it now other than these quotes I saved on a proto-blog I had that I’m pretty sure it was called East Coast Traditional Meets West Coast Casual or something like that (I stole it from a furniture magazine.)
I have finally made up for lost time. The downside is I’ve read them all now 😦 The upside is that I now want to turn around and re-read them, but I will wait a bit. It’s not like I don’t have a full shelf of Austen fan-fiction waiting on me, or that I still get to read Pride and Prejudice for Jane Austen Book Group this year.
With Marvel Illustrated’s Jane Austen books, this was the third and final illustration style. I’m not sure which is my favorite because they were all unique and each had their own drawbacks, so maybe I don’t need to pick one. I will say Marvel Illustrated and Butler got it right with all of the covers except Northanger Abbey. Which is even stranger because the cover I like the most, #4, from Sense & Sensibility doesn’t look like the illustration style inside!? It probably doesn’t hurt that the illustration cover for #4 makes me think of Wuthering Heights instead, or at least the idea of the Brontë sisters on the moors. The rest of the covers are more representative of Liew’s illustration style.