After reading No Straight Lines: Four Decades of Queer Comics, I knew I had to revisit Alison Bechdel’s work. I’ve previously talked about her autobiographical graphic memoirs Fun Home and Are You My Mother?, but the last time I read any of the “Dykes to Watch Out For” I wasn’t blogging yet. I must’ve read one of the earlier compilations because I was in undergrad and Houghton Mifflin published this one after I graduated. This was a collection of most of the strips from the 25 year run of the comic strip.
Since I still haven’t sorted out what I want to do with Culture Corner, I’m sticking this here because it’s both cultural and bookish things. Last night they had a panel at the Boston Public Library titled “Beyond Mr. Darcy: New Markets in Romance” (BPL website).
The three authors Damon Suede, Farrah Rochan and Sarina Bowen were so personable and I just kept feeling like I want to be your friend. I think the best quote of the night was a quote Suede made about one of Bowen’s books he read recently:
“I wept quietly throughout the entire book while having a boner and laughing.”
The only truly disappointing thing about the talk was Suede not straying further from what he said on the podcast I discovered earlier this month: Authorized: Love and Romance. The host of the podcast, Faith Salie who I only know from Wait Wait…Don’t Tell Me, interviews romance authors about writing sex scenes and romance novels in general.
What can I say about this?* It was a great refresher and a fun way to dip my toes into the Brontë’s work again without having to commit to a longer read of the entire novel. I talked about the pros of illustrated classics when I read the Marvel Illustrated Jane Austen works (Pride and Prejudice, Sense and Sensibility, Emma, and Northanger Abbey) and again when I read is when I read the Manga Classics Emma, so there’s not much point in rehashing those.
Overall, the adapters and artist did a great job on the adaptation. There were a couple of things that I was like uh that definitely wasn’t in the book, i.e. positioning of characters and character interactions. I guess it just has to do with making the stories more accessible to wider audiences.
Recommendation: I still prefer the Marvel Illustrated style, but since they didn’t deign the Brontë’s important enough to adapt before they shuttered, this is a pretty good option. They’re a quick refresher on the classics and if they do the job right, which so far both the Manga Classics and the Marvel Illustrated have) they’ll make you want to (re)read the originals!
*I received a copy of this book from the publisher in return for my honest opinion, no additional goods or money were exchanged.
I can’t remember where I first heard about this book, but when I did I remember flagging it to look into. I’m not a big Manga reader or erotica reader for that matter, but when I found out there was an entire genre of manga dedicated to larger gay men I thought it sounded interesting. It is read like a normal manga from right to left and thankfully my earlier dabbling with Jane Austen manga adaptations helped prepare me for that. Two things to note, the word “erotic” was replaced with “Japanese” for some reason in the US Library of Congress’ database and m cover has a different beefy man on it, also drawn by Jiraiya. Continue reading “Book 477: Massive: Gay Erotic Manga and the Men Who Make It – Anne Ishii, Chip Kidd and Graham Kolbeins”
I don’t want to generalize these books, but I know that’s what my response is going to sound like. Perhaps I’ve read too many similar to this recently, but I’m going to start with a list of all the things this book reminded me of, but then also talk about why I felt it was different.
Prior to the publisher reaching out to me about this book* I actually hadn’t encountered Dharma Comics before, but this line drawing style isn’t anything new. It reminded me of a cross between xkcd and hyperbole and a half but with more of an intention and focus on getting through life and not just observations. And then add in that it reminded me also of books I’ve read recently such as Whose Mind is it Anyway? and How To Be Happy (Or At Least Less Sad), I’m a little surprised I enjoyed it as much as I did.
If you want a hilarious read that will have people looking at you funny on public transportation, then this should definitely be on your list. I was having a bad week when I started this and within the first 10 pages I was smiling and noticing small things around me that made my week 100 times better.
I first heard of this book in one of the final Books on the Nightstand episodes (Podcast link) and thought it sounded intriguing. So when someone from Dutton reached out to me about a review copy I jumped at the opportunity.* But first a brief aside.
I must say Dutton is hitting it out of the park with books I enjoy! I have at least one, but probably two more upcoming books that I’m planning to read from them on my shelf. This doesn’t count for the numerous I’ve already responded to including Ally Hughes Has Sex Sometimes from late 2015 and Fool Me Once and The Stranger from earlier this year. And I haven’t even said yes to all of them, some of the others didn’t fit what I wanted to read at the time, but overall I’ve enjoyed them! Now on to my response.
Sometimes you need to be reminded that you don’t know everything and this is one of those instances. It legitimately, is a book telling you not to always believe what you’re mind says, but to take time out and look at it from a different perspective (aka your heart) and to see what else is going on.
This isn’t one of those books I would pick up and buy for myself or even as a gift, but it’s one of those books that everyone would (or really should) read if they stumbled across it. I know if I saw it on a coffee table or in a bathroom (see photo of illustration below), I would flip through it. The publicist for the novel sent over a copy for me to check out* and it was a quick, fun and quirky read. I’m definitely going to have to check out the author’s website to see what other fun things they get up to.