After reading No Straight Lines: Four Decades of Queer Comics, I knew I had to revisit Alison Bechdel’s work. I’ve previously talked about her autobiographical graphic memoirs Fun Home and Are You My Mother?, but the last time I read any of the “Dykes to Watch Out For” I wasn’t blogging yet. I must’ve read one of the earlier compilations because I was in undergrad and Houghton Mifflin published this one after I graduated. This was a collection of most of the strips from the 25 year run of the comic strip.
When I read April Daniels’ debut novel, Dreadnought I lamented the length of time I had to wait until the second in the series came out. What I didn’t realize then or now was that it was only in January of this year that I read Dreadnaught and less than five months later I was able to request Sovereign, the sequel.*
Sovereign picks up not long after the events of Dreadnought and Danny is coming more to terms with her powers as Dreadnought and coming more to terms with her transition. As much as I enjoyed this book, it’s not as strong as the first. It really felt that Daniels got too heavy-handed with the queer politics, as fascinating as they were, and it distracted too much from the story for my taste. I get that it’s an integral part of the story, but it honestly just felt too much like a crutch.
I wanted to like this so much more than I did. And this says a lot about both myself and the book/writer. Even though my response isn’t that friendly to the book there were some occasional one liners that made me smile.
When I requested a copy of this book from the publisher,* I wanted to identify with the characters, I wanted to revel in our shared experiences of growing up in the south during a certain time, but I just couldn’t.
Perhaps this is because I didn’t grow up in the deep south (I grew up in a military town in NC) or maybe because my family wasn’t too religious, (we went to church some times, but we were Episcopalian and compared to other southern denominations, they’re pretty damn liberal), or perhaps it’s just because of the writing or the non-shared experiences of the book that i just couldn’t click with it.
It’s very rare that a book will grab me and keep me reading through a whirlwind of emotions. I’m so grateful someone from the publisher reached out to me about this book.* All I knew going in is that the main character is LGBT (she’s transgender, but also a lesbian) and this is a superhero story. It didn’t hurt that it was a young adult book (yay more diversity).
The publisher didn’t compare it to Perry Moore’s Hero, which I thoroughly enjoyed, and I think it deserves a mention. Although it’s about a cisgendered (born and identified) male, the group of quirky superheroes in that book reminded me a lot of where I’m hoping Dreadnought will go in the series. Continue reading “Book 473: Dreadnought (Nemesis #1) – April Daniels”
I would love to say that this is another one of those opportunities to step outside of my comfort zone, but we all know I’d be lying through my teeth 😀 After my last experience with a specific romance publisher, I’ve shied away from them unless they were Jane Austen related for quite some time. Thankfully this one is tangentially Jane Austen related in that it’s set during the Regency. Swoon.
I’m happy to say Loveswept* may have won me over with this one. After requesting a copy of A Gentleman’s Position (out April 5, 2016) and then devouring it, I think I have a new publisher to turn to when I want something a little more frilly to read! Seriously though, I need to get my hands on the first two-and-a-half books in this series! Now, I just need to keep myself away from their galley page because I want to read all the books by all the authors!
FINALLY! Academia is talking about fluidity of male sexuality (perceived, lack thereof, the dangers of, etc.). We’ve come a long way from Foucault, Butler, Muñoz. When we’re now looking at the idea that “heterosexuality is, in part, a fetishization of the normal,” (35) and no one is batting an eye. We’re starting to get somewhere.
One of the biggest critiques I had while pursuing my master’s degree was the lack of research, or even recognition, of the fluidity of male sexuality. So much of what we discussed resolved solely on women, women’s sexuality and feminists critique.
I was not as enamored with Boy Meets Boy as I was with Levithan’s other books. It was just as humorous as Will Grayson, Will Grayson but it wasn’t as beautiful as portions of it, nor as incredibly moving as Two Boys Kissing, but I am glad I read it.
From the cross dressing quarterback to the school’s bookie, Levithan definitely writes personable characters, but I just couldn’t get drawn in like I have with his other novels. I’m still debating on if it had to do with the “magical” aspects of “everything is perfect in Paul’s world” and all of his dramas seem self-created. But it could also have been that when I’ve loved Levithan in the past it has been when he wrote stories and characters that were so far above and beyond emotional comprehension.