When Dutton reached out to me about a copy* of this book for its new paperback release I jumped at it because of my trip to China this summer! What I didn’t realize was that it was predominantly set in two of the cities I visited: Suzhou and Beijing! It was really neat to read through the fictionalized life of Sai Jinhua and actually feel like I know what and where she was talking about for the post part!
This is a debut novel that I probably would not have read just because I don’t read too many, but with my trip to China, the cover and having someone reach out to me about it, I figured I would give it a chance and I’m glad I did. Add in that the book also featured a subplot line about the one non-English classic from Asia I chose for my Classics Club list: Dream of the Red Chamber and it was well worth the read.
After re-reading Fun Home for book group I dove right into the follow-up Are You My Mother? As much as I enjoyed it and ultimately identified with it, it didn’t live up to the magical experience of Fun Home. It’s hard to say whether this lack of magic was a result of the intense navel gazing or the less compelling surface emotional story. To be honest it could be the daughter identifying with mother as this is an experience/story that I will never experience in the same way.
This being said, the story was still eloquently and humorously told! The graphics were just as poignant and detailed as those in the original. I enjoyed the complete color shift from the green-gray to the red, especially when Bechdel revisited scenes from her earlier work and the emphasis changed slightly. The book list in Are You My Mother? wasn’t quite as long as Fun Home but it was still pretty impressive at 38 separate works listed.
I first read Fun Home in undergrad after my friend Mia gave me a copy not long after it came out in paperback. (I’m pretty sure it was paperback and I’m pretty sure it was Mia. I wasn’t so great at tracking who, when or where books came from back then…oh the olden days :-D)
Either way, I remember thoroughly loving it that first time I read it. I even went out of my way to read Camus’ A Happy Death after I finished even though I have very little recollection of it now other than these quotes I saved on a proto-blog I had that I’m pretty sure it was called East Coast Traditional Meets West Coast Casual or something like that (I stole it from a furniture magazine.)
It will come as no surprise that this is the first book to reach three re-reads since I started The Oddness of Moving Things. I read it twice in 2013, January and August, in honor of its 200th publication date.
What WILL come as a surprise is that I was supposed to read this for our final installment of Jane Austen Book Group and I didn’t! Everything was so busy and I somehow got so flustered that I didn’t read it in time. Thankfully, I know the story so well and had read the Marvel Illustrated version earlier this year, I was capable of discussing it without too much effort. I did know that as soon as I finished trudging through The Dante Club I had to get this re-read to feel as if I’d completed our Jane Austen Book Club for the year! And it’s a great refresher before I dive right into Prejudice & Pride a “gender-bendy twist” on the original by Lynn Messina that comes out December 15th.
Having just finished reading the Marvel Illustrated version of Emma, I figured why not try the Manga Classics version! I received a copy from Udon Entertainment in return for my honest opinion with no compensation. And let me tell you, I am very glad I requested it!
The closest thing I’ve ever come to reading manga is watching Sailor Moon and Dragon Ball Z in high school and I never thought I would actually read one. I’m glad however, that I happened to listen to this Good Job, Brain! podcast the week before I read this! I felt so knowledgeable going in. This won’t be a side-by-side comparison of the two graphic adaptations of Jane Austen’s Emma, but I’m sure I will refer to the major differences between the two. But first, let’s start with how to read manga.
I understand how important this work is, you know, history and stuff (hello sarcasm), but there is no need for the introduction to be roughly half the length of the entire work! Seriously, by time I actually got to the work which I would say is about 60 pages long, I’d read 30 pages and knew almost the entire story! Whoever wrote the introduction quoted almost all of it.
Mostly this book brings back the time in my first year of undergrad where I thought I wanted to study Ancient-Medieval history and then I scrapped by with my worst grade ever in my Greek history class and spent the next three-and-a-half years trying to make up for it and improve my GPA. On the plus side, this book counts towards my Classics Club reading list and I’m slowly chipping away. Finishing this, I’ve now passed the 40 books mark (41/100) and I’m nearing the halfway point. I’m behind schedule, but I threw the schedule out the window ages ago.
Going into Ayn Rand’s Anthem I had very little “real” knowledge of her, her writing or her politics. Everything I know about her is word-of-mouth and I’m sure exaggeration. I have no plans to change that. If I write something incredibly wrong please someone point it out, I’m just writing about my response to this story as a piece of literary fiction. And that response is wow.
I’m not sure why Rand’s masterpieces Atlas Shrugged and The Fountainhead get all the credit when this is a big piece of work in such a tiny package. I mean Rand was writing about post-apocalyptic dystopias before it was cool. She was contemporaries with Huxley and their bleak views really must’ve inspired modern-day writers or maybe I’m just seeing connections where I want to see them. Either way, I would be shocked to find that the likes of Atwood, Collins and Orwell to name a few hadn’t read this work.