I don’t want to generalize things, but we’ve all seen the headlines about someone’s world being shattered in an instant. We’ve all seen, heard about or experienced some after-effects of terrorism at this point. We hear about the people who commit these acts, we hear about those that die and those that survive, but what we rarely hear about are those that are left.
It’s those people whose world isn’t shattered in an instant, but over a grueling length of hours where they know nothing about their loved one’s fate, that this book’s story shares with the world.
I don’t go out of my way to read books associated with grief or with current political issues, but when the publisher reached out to me about a copy* of this book I thought I would give it a chance. The title is what drew me to it, the fact that Leiris, was not going to allow the attackers to have his hate, that he was going to raise his now-motherless little boy without that hate that spoke to me.
I don’t want to generalize these books, but I know that’s what my response is going to sound like. Perhaps I’ve read too many similar to this recently, but I’m going to start with a list of all the things this book reminded me of, but then also talk about why I felt it was different.
Prior to the publisher reaching out to me about this book* I actually hadn’t encountered Dharma Comics before, but this line drawing style isn’t anything new. It reminded me of a cross between xkcd and hyperbole and a half but with more of an intention and focus on getting through life and not just observations. And then add in that it reminded me also of books I’ve read recently such as Whose Mind is it Anyway? and How To Be Happy (Or At Least Less Sad), I’m a little surprised I enjoyed it as much as I did.
When Dutton reached out to me about a copy* of this book for its new paperback release I jumped at it because of my trip to China this summer! What I didn’t realize was that it was predominantly set in two of the cities I visited: Suzhou and Beijing! It was really neat to read through the fictionalized life of Sai Jinhua and actually feel like I know what and where she was talking about for the post part!
This is a debut novel that I probably would not have read just because I don’t read too many, but with my trip to China, the cover and having someone reach out to me about it, I figured I would give it a chance and I’m glad I did. Add in that the book also featured a subplot line about the one non-English classic from Asia I chose for my Classics Club list: Dream of the Red Chamber and it was well worth the read.
After re-reading Fun Home for book group I dove right into the follow-up Are You My Mother? As much as I enjoyed it and ultimately identified with it, it didn’t live up to the magical experience of Fun Home. It’s hard to say whether this lack of magic was a result of the intense navel gazing or the less compelling surface emotional story. To be honest it could be the daughter identifying with mother as this is an experience/story that I will never experience in the same way.
This being said, the story was still eloquently and humorously told! The graphics were just as poignant and detailed as those in the original. I enjoyed the complete color shift from the green-gray to the red, especially when Bechdel revisited scenes from her earlier work and the emphasis changed slightly. The book list in Are You My Mother? wasn’t quite as long as Fun Home but it was still pretty impressive at 38 separate works listed.
I first read Fun Home in undergrad after my friend Mia gave me a copy not long after it came out in paperback. (I’m pretty sure it was paperback and I’m pretty sure it was Mia. I wasn’t so great at tracking who, when or where books came from back then…oh the olden days :-D)
Either way, I remember thoroughly loving it that first time I read it. I even went out of my way to read Camus’ A Happy Death after I finished even though I have very little recollection of it now other than these quotes I saved on a proto-blog I had that I’m pretty sure it was called East Coast Traditional Meets West Coast Casual or something like that (I stole it from a furniture magazine.)
It will come as no surprise that this is the first book to reach three re-reads since I started The Oddness of Moving Things. I read it twice in 2013, January and August, in honor of its 200th publication date.
What WILL come as a surprise is that I was supposed to read this for our final installment of Jane Austen Book Group and I didn’t! Everything was so busy and I somehow got so flustered that I didn’t read it in time. Thankfully, I know the story so well and had read the Marvel Illustrated version earlier this year, I was capable of discussing it without too much effort. I did know that as soon as I finished trudging through The Dante Club I had to get this re-read to feel as if I’d completed our Jane Austen Book Club for the year! And it’s a great refresher before I dive right into Prejudice & Pride a “gender-bendy twist” on the original by Lynn Messina that comes out December 15th.
Having just finished reading the Marvel Illustrated version of Emma, I figured why not try the Manga Classics version! I received a copy from Udon Entertainment in return for my honest opinion with no compensation. And let me tell you, I am very glad I requested it!
The closest thing I’ve ever come to reading manga is watching Sailor Moon and Dragon Ball Z in high school and I never thought I would actually read one. I’m glad however, that I happened to listen to this Good Job, Brain! podcast the week before I read this! I felt so knowledgeable going in. This won’t be a side-by-side comparison of the two graphic adaptations of Jane Austen’s Emma, but I’m sure I will refer to the major differences between the two. But first, let’s start with how to read manga.