It will come as NO shock that the next installment of our book group was Lemony Snicket’s The Vile Village. That’s the fun thing about reading a series, you already know what you’re going to read and you just have to space them out so you don’t read them too fast. That being said, I have the next four already on my kindle ready to read!!!
The series, as I said in my response to The Ersatz Elevator, appears to be picking up pace. The Baudelaire orphans seem to be taking on more responsibility for their own well being/future (or as much as they can) with the incompetent adults around them doing nothing. I’m glad to say the rest of book group agrees that it’s starting to pick up the pace.
As with The Warlock, I wish I had as much enthusiasm and glowing things to say about this book as I did the first time I read it. I picked up this copy way back in 2013 and it’s sat on my shelf since then. I’m glad I’ve re-read them so I can clear up the shelf space now. (I didn’t even technically read it this time as I checked out digital copies from the library to take to China to save space :-D)
It is still a great read and an amazing conclusion to the series, but it’s just not as full of impact or as powerful as I remember it being. This is because of the big reveals in The Warlock that I wrote about at the end and how that reveal is then discussed and explained (and even sort of thrown away) in this book. For me, it’s the reveal I talk about in the next paragraph that made the re-read so hard. It’s one of those things, similar to an unreliable narrator, that is just a major turn off for me when it comes to a book.
Now that we’re to the final two books in the series, I have something to refer back to. As I mentioned when I responded to The Alchemyst, I’ve previously responded to The Warlock and The Enchantress. The Warlock was Book 49! That’s almost 400 books ago in the life of this blog. WHOA.
All I have to say, upon re-reading my response, is wow what naivety! What youth! What excitement! I’m clearly a bit more jaded on this re-read and I did NOT re-read every book again before each book was released, but I do still agree with the fact that the books were a bit thin on subject matter even though they took place over only a matter of days. There’s things missing that I think would’ve been great to include and there are things included (multiple times in some cases) that I was not interested in.
Just a head’s up some of the things I talk about in this book may be from The Warlock, my quotes got merged and I’m still not sure what was in which book because I re-read them so fast.
One of the things you have to be careful of reading this series is that Scott doesn’t throw away names. Even the minor characters that he only mentions in passing are incredibly important and historical factual philosophers, warriors and politicians (or at least the immortals are). From ancient Chinese philosophers to British authors (I forgot to mention Shakespeare last post), Scott must’ve mined history for so many of the characters he uses/mentions.
In this book, Sophie and Josh’s life/world not only falls apart, but it is mercilessly ripped apart. Their eyes are opened to a number of things which begin the processes that end the series. These processes and the truths/lies they reveal are what had me hesitant about re-reading the series. They’re WONDERFUl the first time you read the series, but going back to the series it makes them a bit less so.
Again, there is no stopping in this series. This book is still within the same week as The Alchemyst and The Magician. We’ve gone across two continents and multiple eras, we’ve met gods and goddesses and historical figures long believed to be dead, and yet we’re still only just beginning to delve into the world Scott created. The whirlwind will continue through to book six.
In The Sorceress, Scott expands the folklore and mythology he is drawing on. He ties creatures from Greek and Rome to those of Egypt (hello Rick Riordan), but then brings in Irish, British and Mexican. In this book he introduces an ancient Sumerian character, Gilgamesh. And even later in the series he brings in Japanese, American and Native American immortals, monsters of legends and elders. He could easily have created dozens of books based on just the few individuals he introduces throughout the series.
I would never have selected this book to read for a few reasons: it’s nonfiction; it’s a memoir/autobiography; it’s set on the African continent; and it’s not by someone I know anything about. Now I have nothing against any of these things, they’re just not on my usual list of go-to’s for books to read and that’s why I’m glad book group chose auto/biographies and memoirs this year. We’ve already done Fun Home and Girl In A Band, and there are a few interesting ones left on the list, so we’ll see what’s next.
That being said, I enjoyed this more than I thought I would. It did take a little longer to read than expected, but adjusting to a new job while trying to read a piece of nonfiction wasn’t exactly the brightest idea, but that’s book group for you. I think it also didn’t help that Fuller’s story telling style would I think be better in person or as a spoken story rather than a written narrative.
It was hard to know what I was expecting from this book. Going in I didn’t know if it would be about the revolutions/civil wars that took place or if it was going to be about post-colonialism. I also had no idea where in the hierarchy of white settlers Fuller’s story would fall. Thankfully, it sort of talks about all of this but through the eyes of a child. Continue reading →
It’s like L’Engle knew exactly what I was struggling with when she wrote An Acceptable Time. I had been struggling with the mundanity of the O’Keefe Family series and I’d been complaining about the short rapid endings. I’m not sure if she answered all my questions, but she wrote this one well/differently enough that it felt like she answered all of my concerns about the series.
It was also, to me at least, great that this book was the eighth book written and the eighth in the series, the only other one to happen like this is the first. But I think that probably worked to L’Engle’s advantage in that the interconnectedness of the two series is apparent throughout. The mentions of characters and happenings is excellent, but I was a little confused about how open the Murray’s were about their children’s time travel and experiences, but a little less open in this book about their granddaughters’. Perhaps it has to do with getting old, or Polly not being their permanent responsibility, but it felt a bit odd considering the first four books in the series.