Tag: Marriage

Books

Book 341: Funny Girl – Nick Hornby

Geoff W

The only other Hornby I’ve read is High Fidelity (the film adaptation was meh). And I loved the film adaptation of About A Boy, so I wasn’t sure where this novel would go. I hadn’t planned on reading it, but one of my favorite podcasts, Pop Culture Happy Hour, announced they were going to do an episode a few months ago so I put it on hold and timed it almost perfectly to listen! (I missed the exact episode by a little less than week.)

I think the podcast hit the nail on the head when they talked about the story being more focused on “the show [Barabara (and Jim)] rather than the funny girl of the title, Barbara/Sophie. But what Hornby didn’t do, was show us the show; he only ever referred to specific gags, situations or dialogue. Someone on PCHH said it should’ve been called “The Show” and I can’t agree more. It would be a better title and I would definitely have chosen to read it if that were the title too!

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Book Group, Books, The Classics Club

Book 339: Emma – Jane Austen

Geoff W

For book two of our Jane Austen Book Club, my friends and I decided to conquer Emma. It has always been my least favorite of the six and reading Deresiewicz’s A Jane Austen Education both confirmed that and helped me get around this problem. His talking about Emma and it’s belief in the importance of every day trivialities, as well as Margaret Drabble’s excellent introduction led me to think about the book differently.

Don’t get me wrong, it’s still boring as anything in most points, but Austen wrote it this way. According tot Drabble, Austen wrote this novel in such excruciating detail in direct response to the detractors of her previously published novel Mansfield Park, which I love. Drabble says, “This is domestic realism almost with a vengeance.” (xix) AND it is! The hyper focus on every detail, the incredibly limited scope of setting, characters and even conversation topics is overwhelmingly mundane. It is an assault on the senses, and as a fellow JABC member said “i’m diagnosing myself with ’emma-induced narcolepsy.'” (Thanks, Dalton!)

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Book Group, Books, The Classics Club

Book 331: Northanger Abbey – Jane Austen

Geoff W

Continuing my “Jane-uary” theme, I’ve just finished Northanger Abbey in time for our Jane Austen Book Club (JABC) discussion, which was unfortunately postponed due to a blizzard here in Boston. In addition, this acts as my revitalization of my Classics Club attempt. I apparently only read two books last year. How embarrassing! I’ll read at least six this year with the JABC so that’s a bonus.

Let’s start with I’m ashamed to admit I forgot how absolutely lovable and amazing Henry Tilney is! This is one of the two Austen books I’ve only read once and that is will most definitely change in the future. On the scale of Austen heroes he’s always been lost in the non-Mr. Darcy fray for me. I think he is still behind Darcy, but his bookishness and (what I see as his) disdain for social norms made me laugh on numerous occasions!

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ARC, Books

Book 327: What Matters in Jane Austen? – John Mullan

Geoff W

Neither a bad end to 2014, nor a bad start to 2015, this was well worth the read. It wasn’t all I thought it would be, but considering it was a galley I got ages ago (2012 I think) and never read (Sorry!) I’m glad I finally read it. I think I’m going to spend a lot of time with Austen this year. A few friends and I are doing a Jane Austen book club and I have quite a bit of non-fiction I’m looking forward to reading about Austen and her life. I hope everyone sticks with me throughout! I received a copy of this novel from the publisher and received nothing in return for my honest response.

What worked best for this book was the selecting of 20 themes and then talking about them across Austen’s novels. I’ve read all of her novels at least once and a few of them much more. You can look at the chapter titles to see the themes, but the ones that stood out most to me where when Mullan spoke about Austen’s mastery of novels and groundbreaking skills as a writer.

“She did things with fiction that had never been done before. She did things with characterization, with dialogue, with English sentences, that had never been done before.”

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