It will come as no surprise that this is the first book to reach three re-reads since I started The Oddness of Moving Things. I read it twice in 2013, January and August, in honor of its 200th publication date.
What WILL come as a surprise is that I was supposed to read this for our final installment of Jane Austen Book Group and I didn’t! Everything was so busy and I somehow got so flustered that I didn’t read it in time. Thankfully, I know the story so well and had read the Marvel Illustrated version earlier this year, I was capable of discussing it without too much effort. I did know that as soon as I finished trudging through The Dante Club I had to get this re-read to feel as if I’d completed our Jane Austen Book Club for the year! And it’s a great refresher before I dive right into Prejudice & Pride a “gender-bendy twist” on the original by Lynn Messina that comes out December 15th.
Having just finished reading the Marvel Illustrated version of Emma, I figured why not try the Manga Classics version! I received a copy from Udon Entertainment in return for my honest opinion with no compensation. And let me tell you, I am very glad I requested it!
The closest thing I’ve ever come to reading manga is watching Sailor Moon and Dragon Ball Z in high school and I never thought I would actually read one. I’m glad however, that I happened to listen to this Good Job, Brain! podcast the week before I read this! I felt so knowledgeable going in. This won’t be a side-by-side comparison of the two graphic adaptations of Jane Austen’s Emma, but I’m sure I will refer to the major differences between the two. But first, let’s start with how to read manga.
Before I conquer Dr. Mütter’s Marvels, I decided to read the Marvel Illustrated version of Emma. If you’re not aware, Emma is my least favorite of Jane Austen’s novels. (Gasp! Horror!) This being said, I’m getting ready to read my first manga which also happens to be Emma, so maybe I’ll find something to enjoy in the story.
I will start that having already read Northanger Abbey, also adapted by Nancy Butler and Janet Lee in the Marvel Illustrated series, it made reading this one a bit easier. I think a large part of this is a direct response to the cover art of Northanger Abbey, it was so different from Lee’s illustrations. This one had the same illustration style for the story AND the covers. It definitely helped and didn’t set up any false expectations.
I didn’t quite get this one read before it’s release, but considering how busy I’ve been, having it read and posted within a week of its release, September 29, is pretty impressive! Any time there is a new Atwood, I get excited. Margaret Atwood is the Queen of Speculative Fiction, among other things. So when I had the opportunity to request a copy and the publisher, Nan A. Talese granted it*, I was over the moon.
I still have a few older Atwood’s on my shelf to read, but the last I read was Stone Mattress and I really liked where she was going. This being said, I’ve seen quite a few reviews recently of The Heart Goes Last where I’ve wanted to slap the reviewers and say WHAT ABOUT THE BOOK? Mostly people were complaining they had bought the first few chapters on a website and then had to buy the whole book to find out what happened (Hello, single song releases?! Do we not remember the “old days” of the 1990s – early 2000s?) As this doesn’t affect me and most readers, I don’t see why it’s important so don’t let that impact your judgement!
For our fifth installment of Jane Austen Book Club we read Sense and Sensibility (S&S). Not only is this book the penultimate book of this year’s book group, it is my last Austen re-read for the Classics Club! That makes it my 42 Classics Club book and I’m glad to still be slowly chipping away. Goodreads reminds me I’m 29 books behind schedule from my original Classics Club start date, but I abandoned the five-year plan ages ago. I figured I should enjoy the Classics when I want to enjoy them and not force myself to meet some arbitrary time limit.
Like all of Austen, I’m confused why I haven’t re-read this in so long. Obviously, there are so many other books to read, but it went by so fast and the story is just so great that I really should make an effort to re-read more than just Pride and Prejudice (P&P) every so often!
I had a vague idea these adaptations existed, but I’d never encountered one in the wild until I read Jane Austen: Cover to Cover and went out of my way to visit a comic book store to look for one. I got lucky on my second try with Comicazi in Somerville, but they only had the one. (Hub Comics in Somerville was also great, but didn’t have any in stock.)
What truly strikes me, having finished this in one commute to and from work, is that doing a bit of research I’m not surprised I didn’t know these existed. Butler in the introduction talks about how these titles came about for Marvel Illustrated (full list of titles available under the imprint) and mentions that she said they needed to do some for young women and girls. When I did a bit of research I found that the imprint was only active from 2007-2011 and they didn’t finish Jane Austen’s novels😦 However, I did find out there’s another imprint, Classical Comments, has WUTHERING HEIGHTS. Let me repeat this one more time, there is a are multiple graphic novel versions of WUTHERING HEIGHTS.
Lucky for you I’ve re-read this for our Jane Austen Book Club, so you get to hear about it again, almost exactly three years after I last read it.
Following Sense andSensibility (1811) and Pride and Prejudice (1813) this was Austen’s third published novel in 1814 and it is a clear shift away from the whimsy and light previous novels. I talk about this in my last response, but I wonder if this has to do with feedback from the first two novels or if it’s her own personal experience and maturation as an adult. We already know that when Austen published Emma, her fourth work, in 1815 that she was comfortable with sassing her critics. She openly says at the start of Emma that she’s writing a character NO ONE can dislike, because so many people disliked Fanny, or Fanny’s decisions.