I think the biggest issue I have with this book is how quickly it ended. Some of this is of course due to the Amazon Kindle flaw of telling you have 8-10% left in the book when really you have 1-2% and the other 8-9% of those pages are bonus content. But, the rest of it has to do with this having the first true cliffhanger in the series. [This might not be true as I can’t really remember the endings of the others, just they all blend together.]
I randomly bought this when we were in the UK this past summer. I bought it because of the quirky title, but I was drawn to the display because it was a display of young adult and children’s books with LGBT+ characters.
Now the fact that there are LGBT+ young adult characters isn’t abnormal, I mean just look at the list of books I’ve read recently and you’ll see a half-dozen spanning two decades. What was exciting to me was the fact there was a display in the young adult/children’s section highlighting them! It was magical 😀
I can’t believe I binged this. I started it around 4 PM on my way home from work and was done by midnight. I wasn’t expecting to love this as much as I did, but it just hit all the right notes for me.
Books like this and Simon vs. the Homo Sapiens Agenda make me sad that these weren’t around when I was a teenager, but also incredibly happy at how far we’ve (allegedly) come as a society and for the future LGBTQ+ teens out there. I have two more Freak Show and Geography Club that I picked up a few months ago and am excited to read in the next few weeks. Books like these and the more recent comics I read in No Straight Lines make me feel like those old LGBTQ+ individuals on YouTube who are in awe of the freedom we have today.
During that time I happened to look on Goodreads (here we go again), not to read the reviews of this, but to see whether I should read The Wind Through the Keyhole. I wanted to know if I should read it in its rightful place between book four and book five or after I’d read the series and I was SHOCKED to find that people were sharply divided over this book.
After reading No Straight Lines: Four Decades of Queer Comics, I knew I had to revisit Alison Bechdel’s work. I’ve previously talked about her autobiographical graphic memoirs Fun Home and Are You My Mother?, but the last time I read any of the “Dykes to Watch Out For” I wasn’t blogging yet. I must’ve read one of the earlier compilations because I was in undergrad and Houghton Mifflin published this one after I graduated. This was a collection of most of the strips from the 25 year run of the comic strip.
I randomly stumbled across the Kickstarter for the documentary version of this book. So of course I had to see if the library had it and it was in the one near me so I walked down and got it at lunch. It was a quick read and covered a wide variety of comics.
I mean 40 years in LGBT/Queer history covers so much from AIDS to decriminalization to marriage to adoption rights to the wonderful coming of age of trans* comics. (For more information on the asterisks check out this graphic (It’s Pronounced Metrosexual link). The anthology did a great job by dividing the comics into three era’s of queer comics: 1) Come Out: Gay Gag Strips, Underground Comix, and Lesbian Literati (1960s-1970s); 2) File Under Queer: Comix to Comics, Punk Zines, and Art During the Plague (1980s-1990s); 3) A New Millennium: Trans Creators, Webcomics, and Stepping Out of the Ghetto (2000s-today?). I listed all of the authors at the end of this post because they all deserve credit in this wonderful anthology.
I’m slowly making more progress on my ARC/Galleys. It’s been a while since I last read a collection of short stories, last summer I read a couple of collections, but they’re not something I seek out very often. So when the publisher reached out about this one I figured why not.*
I’ve enjoyed Sittenfeld’s writing, Prep, from way before I started this blog and more recently Eligible, her retelling of Pride and Prejudice as part of the now (seemingly?) defunct The Austen Project. The downside of this collection in particular, is because I enjoy Sittenfeld’s writing, I had already read at least three, if not five of the previously published short stories of the ten, but I’ll talk more about this later.