A life of books . . .
I knew I did a lot of ‘cultural’ things prior to starting this monthly blog post series, but I didn’t realize quite how many I did on a regular basis. As I sat down to write this post I realized I’d done so much that I could easily have posted a weekly Culture Corner since the last one. Instead you’re going to get a LOT of pictures (three distinct sets) with brief explanations of each.
So for my second Culture Corner post (see the first one here) I have A LOT to share. I was really tempted to just drop in the photos and let you enjoy them, but I guess I should explain everything or at least give some basic descriptors, so without further fanfare here you go.
The writing in this book is quite possibly the most beautiful writing I’ve ever read. The premise of the book, however, is incredibly convoluted. Regardless, I am glad I read the book because it counts for multiple challenges this year (Back to the Classics Reading Challenge and Mount TBR Reading Challenge).
When I first thought about reading this novel, I knew it wasn’t an autobiography, but I wasn’t quite sure where this fit into the myriad genres available. Ultimately, this book falls into some gray area between biography and autobiography. This felt like Gertrude Stein’s biography told through Alice B. Toklas but written by Gertrude Stein. And what I found out while reading this was that Paris was an incredibly small place and everyone knew everyone. It was incredibly strange how everyone was connected, but at the same time it was awesome the people who stumbled in and out of the novel including numerous painters and authors.
Sorry for the long post in advance, it’s been a long time since I’ve read a book about museums and antiquities and I forgot how much I love them and how much they make me think!
This book has been on my to-be-read shelf since July of 2011 and I can’t believe I waited this long to read it! I will never forget my first Anthropology class in undergrad and the professor going off on a tangent about the looting of the museums after the fall of Saddam Hussein. It pretty much guaranteed I would be an Anthropology major. (I later switched to cultural anthropology and focused on gender in the media, but still the people were awesome!) The intrigue, the drama, the affairs and the crimes, it could be a spy novel if it were fiction and not fact! This book will count as a bonus book for my 2013 Mount TBR Reading Challenge.
WARNING and APOLOGY: this post starts with a rather long tangent about literature, art and people. (Sorry! Probably should be two posts, but I’m lazy.) If you don’t really want to read it (but you should there are a few great quotes) skip to after the third block quote. And to get it out-of-the-way, The Picture of Dorian Gray is the January read for my books into movies book group at the local library and conveniently appears on my Mount TBR (extended) list and my Classics Club list!
Now for my tangent, I’ve noticed as I read a wider variety of literature that the authors I’m drawn to have a lot to say about books, reading and writing. I have a lot of respect for authors who are able to reflect on writing, books, and literature within their own books and stories. In his forward to The Portrait of Dorian Gray, Oscar Wilde writes the below quote.
“There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.” (4)
And I can’t help but appreciate how incredibly insightful and powerful this is. Imagine if all the people threatened by books, who’ve burned books, who attempt to ban books, and those who just refuse to read certain books actually understood this. I love this quote so much it’s my new email signature and I’ve added it to the great book quotes on my sidebar (only the third)!