During that time I happened to look on Goodreads (here we go again), not to read the reviews of this, but to see whether I should read The Wind Through the Keyhole. I wanted to know if I should read it in its rightful place between book four and book five or after I’d read the series and I was SHOCKED to find that people were sharply divided over this book.
I was excited when the publicist reached out to me about this book, it sounded just creepy enough to not be terrifying and interesting enough because of its location.* Unfortunately, because of the problems with the location (see most of the next four paragraphs), it ultimately wasn’t an enjoyable read for me.
I will cut to the chase, the problem with reading books set where you live, no matter the time unless it’s so far in the past that it’s unrecognizable, is how much they get wrong or it feels like they get wrong. So many of these could have easily been fixed with a quick internet search of the MBTA map in Boston and just looking at a map in Boston. Boston is not a large city and its public transit is not that large or complex. I want to blame the copy editor, but really it’s the author’s fault.
Tentative doesn’t even begin to cover it. If you cut all of the books into paragraphs throw them in the air and then pick just enough to make a script you might get the same thing the directors and writers got for that adaptation? Even with that, I feel like they changed so much to “make it fit” (it doesn’t really) that I’m still not 100% sure where they pulled things.
I’m starting to see why people really like this series. I’m only two books in now (with pretty big gaps between the books), but I get it. And even with that crappy film adaptation—so far nothing in the first two books was in the film really—I’m being drawn in.
I’m struggling to write reviews of this as I’ve taken to heart what King writes in the forward that this is one long book/story broken across quite a few books. It’s some how barely moving forward but taking massive steps at the same time. This picks up not long after The Gunslinger and plows steadily forward. I’m still not sure I have any idea what’s going on, and I have no idea where it’s going, but so far I’m enjoying where King is taking me.
After seeing the atrocious adaptation that was the film, I decided I should visit the source material to see if I might actually enjoy the story. I have minimal Stephen King interaction (outside of Cujo and Misery—both read for a Books into Movies book group) so I don’t have too many pre-conceived notions about him as an author.
However, now I’ve processed the book I’m torn. There were parts of this I enjoyed but knowing what’s coming and knowing how many books there are left in the cycle I’m not sure I’ll be able to stick with it. A large part of this had to do with it starting in medias res (Wikipedia link), but not like a bit, but like what felt near the end. Maybe it’s not and I’ll be surprised, but it really feels pretty late in the story.
This is one of those books that has been on my metal list to look into since it came out. For some reason though, I had lumped it into the same sort of release period as Ender’s Game and The Hitchhiker’s Guide to the Galaxy and boy was I surprised when I realized it was written and released in 2011. I knew I would get to the book some day, but the movie release in the next few months, preview embedded at the end of the post, my desire to read the book increased dramatically.
I didn’t read it quite as fast as I read some of the recent Jane Austen fan-fiction, but I did get through this one pretty quickly. I found the writing simple enough to breeze through and my vague familiarity with a lot of the 1980s pop culture helped (even if I did have to google quite a few). The strengths, for me at least, were the realistic vision of where we could easily end up as a society within the next few decades if something similar to OASIS actually becomes reality. The OASIS or, “The Ontologically Anthropocentric Sensory Immersive Simulation was a big place.” (48), is in essence an internet/game type situation that could include full or partial body immersion. Cline isn’t the first, nor will he be the last to write something like this. It’s a dystopian vs. utopian, good vs. evil, privacy vs. corporate consumerism story for the ages.
I think that’s about all you can say about this book. It wasn’t as disappointing as I though it would be, but it also wasn’t the ending I wanted/needed for a 13 book series investment. Perhaps, Snicket hit it on the head with the final line of the book, which doesn’t spoil anything because there was a 14th chapter.
“Under the circumstances, it is the best for which you can hope.”
I’m not convinced it was the best for which I could’ve hoped for, but I think it’s the most I was going to get. If these books would’ve been difficult to read or any more of a time commitment, I would probably be angry about the ending or even disappointed, but because they were quick reads and mostly easy to understand it didn’t feel like too much of an investment. THERE WILL BE SPOILERS, skip to the Recommendation if you don’t want spoilers.