So I finally finished it. It took almost an entire month, but I did it. It actually wasn’t a bad read, but it was such a long read that it was painful at times. Thankfully it counts for my 2013 Tea and Books and Mount TBR Challenges and for The Classics Club.
Looking back, I’ve realized that this novel is sort of like a proto-’Love Actually’ – in that it is a network of love stories with interconnecting people who are only revealed slowly throughout the book. I felt the author did a great job at this even if it did cause me no end of frustration for the first couple hundred pages. I kept asking myself where this book was going and why the sisters from the beginning of the novel just disappeared, but they eventually reappeared and tied the story together.
Although the book clocks in at over 880 pages, it didn’t feel as if it were 880 pages. I believe this is a credit to the story and the language the author used. Her writing was not difficult to read and there were many beautiful passages and great descriptions, just look at how many quotes there are in my Additional Quotes section below. The one line that just made me laugh and think oh wow that’s me was
“When a conversation has taken a wrong turn for us, we only get farther and farther into the swamp of awkwardness.” (146)
It is just the perfect description of what happens when I pretty much ever open my mouth. I mentally thought ‘honey I’m mired in the swamp of awkwardness and am like the swamp lights (will-o’-the-wisps) that trick you into the swamp and then you die because you get lost, but without the death and lots of awkwardness.’
Although I thoroughly enjoyed this book and thought it was beautifully written, it didn’t really leave me with much of an opinion. It’s hard to say whether this is because of the writing or the very succinct writing of the plot and story. Many times the books that leave me wanting more are the books that I desperately cling to because I don’t know the happily ever after.
WARNING and APOLOGY: this post starts with a rather long tangent about literature, art and people. (Sorry! Probably should be two posts, but I’m lazy.) If you don’t really want to read it (but you should there are a few great quotes) skip to after the third block quote. And to get it out-of-the-way, The Picture of Dorian Gray is the January read for my books into movies book group at the local library and conveniently appears on my Mount TBR (extended) list and my Classics Club list!
Now, having read two books by Michael Ondaatje, one thing is certain: his writing is incredibly smooth and beautiful, especially when it comes to the description of scenes and settings. The best comparison I can think of is a deep voice talking soothingly (like James Earl Jones or Donald Sutherland. And in all honesty, I’m pretty sure I read Ondaatje’s books with a Sutherland voice in my head. In the Skin of a Lion is my third Mount TBR book, but not an officially listed book, but one I expected to read.
What a messed up novel. And I mean that in a really good way. Like I’m shaking my head saying to myself, ‘What in the world?’ I mean seriously, where do authors come up with ideas like this? I’m sure Levin at some point discussed it in an interview, but I don’t really want to know it’s that strange.
