Again, there is no stopping in this series. This book is still within the same week as The Alchemyst and The Magician. We’ve gone across two continents and multiple eras, we’ve met gods and goddesses and historical figures long believed to be dead, and yet we’re still only just beginning to delve into the world Scott created. The whirlwind will continue through to book six.
In The Sorceress, Scott expands the folklore and mythology he is drawing on. He ties creatures from Greek and Rome to those of Egypt (hello Rick Riordan), but then brings in Irish, British and Mexican. In this book he introduces an ancient Sumerian character, Gilgamesh. And even later in the series he brings in Japanese, American and Native American immortals, monsters of legends and elders. He could easily have created dozens of books based on just the few individuals he introduces throughout the series.
Picking up immediately after the events of 
I first read this in the first six months of this blog! Unfortunately, I didn’t actually respond to every book so I only have my thoughts to 
It’s like L’Engle knew exactly what I was struggling with when she wrote An Acceptable Time. I had been struggling with the mundanity of the O’Keefe Family series and I’d been complaining about the short rapid endings. I’m not sure if she answered all my questions, but she wrote this one well/differently enough that it felt like she answered all of my concerns about the series.
As much as I enjoyed the other O’Keefe novels, this one just didn’t work for me. It’s still a great novel, but something about the lay out or Polly’s age, or the subject matter just didn’t work for me. It also didn’t help that I ended a job and started a new one all in the middle of reading this book, so the timing could definitely have been better.