I think the biggest issue I have with this book is how quickly it ended. Some of this is of course due to the Amazon Kindle flaw of telling you have 8-10% left in the book when really you have 1-2% and the other 8-9% of those pages are bonus content. But, the rest of it has to do with this having the first true cliffhanger in the series. [This might not be true as I can’t really remember the endings of the others, just they all blend together.]
During that time I happened to look on Goodreads (here we go again), not to read the reviews of this, but to see whether I should read The Wind Through the Keyhole. I wanted to know if I should read it in its rightful place between book four and book five or after I’d read the series and I was SHOCKED to find that people were sharply divided over this book.
Tentative doesn’t even begin to cover it. If you cut all of the books into paragraphs throw them in the air and then pick just enough to make a script you might get the same thing the directors and writers got for that adaptation? Even with that, I feel like they changed so much to “make it fit” (it doesn’t really) that I’m still not 100% sure where they pulled things.
When the publicist reached out to me with this way back in December I wasn’t 100% sure I wanted to read it.* At the same time, I knew I wanted to try to read a little broader this year so I said yes anyway. What I didn’t expect was to start this at 9pm one night and finish it by noon the next day on my lunch break at work!
This book starts with a bang and then continues with a series of gripping chapters that keep you engaged. Don’t get me wrong, it wasn’t perfect, you could tell this was a debut novel, but there’s definitely more to come from Boush.
I’m starting to see why people really like this series. I’m only two books in now (with pretty big gaps between the books), but I get it. And even with that crappy film adaptation—so far nothing in the first two books was in the film really—I’m being drawn in.
I’m struggling to write reviews of this as I’ve taken to heart what King writes in the forward that this is one long book/story broken across quite a few books. It’s some how barely moving forward but taking massive steps at the same time. This picks up not long after The Gunslinger and plows steadily forward. I’m still not sure I have any idea what’s going on, and I have no idea where it’s going, but so far I’m enjoying where King is taking me.
After seeing the atrocious adaptation that was the film, I decided I should visit the source material to see if I might actually enjoy the story. I have minimal Stephen King interaction (outside of Cujo and Misery—both read for a Books into Movies book group) so I don’t have too many pre-conceived notions about him as an author.
However, now I’ve processed the book I’m torn. There were parts of this I enjoyed but knowing what’s coming and knowing how many books there are left in the cycle I’m not sure I’ll be able to stick with it. A large part of this had to do with it starting in medias res (Wikipedia link), but not like a bit, but like what felt near the end. Maybe it’s not and I’ll be surprised, but it really feels pretty late in the story.
This is one of those books that has been on my metal list to look into since it came out. For some reason though, I had lumped it into the same sort of release period as Ender’s Game and The Hitchhiker’s Guide to the Galaxy and boy was I surprised when I realized it was written and released in 2011. I knew I would get to the book some day, but the movie release in the next few months, preview embedded at the end of the post, my desire to read the book increased dramatically.
I didn’t read it quite as fast as I read some of the recent Jane Austen fan-fiction, but I did get through this one pretty quickly. I found the writing simple enough to breeze through and my vague familiarity with a lot of the 1980s pop culture helped (even if I did have to google quite a few). The strengths, for me at least, were the realistic vision of where we could easily end up as a society within the next few decades if something similar to OASIS actually becomes reality. The OASIS or, “The Ontologically Anthropocentric Sensory Immersive Simulation was a big place.” (48), is in essence an internet/game type situation that could include full or partial body immersion. Cline isn’t the first, nor will he be the last to write something like this. It’s a dystopian vs. utopian, good vs. evil, privacy vs. corporate consumerism story for the ages.