Tentative doesn’t even begin to cover it. If you cut all of the books into paragraphs throw them in the air and then pick just enough to make a script you might get the same thing the directors and writers got for that adaptation? Even with that, I feel like they changed so much to “make it fit” (it doesn’t really) that I’m still not 100% sure where they pulled things.
I’m starting to see why people really like this series. I’m only two books in now (with pretty big gaps between the books), but I get it. And even with that crappy film adaptation—so far nothing in the first two books was in the film really—I’m being drawn in.
I’m struggling to write reviews of this as I’ve taken to heart what King writes in the forward that this is one long book/story broken across quite a few books. It’s some how barely moving forward but taking massive steps at the same time. This picks up not long after The Gunslinger and plows steadily forward. I’m still not sure I have any idea what’s going on, and I have no idea where it’s going, but so far I’m enjoying where King is taking me.
I’m glad I waited until after a lot of the hype died down and that I didn’t come across any spoilers, in the time that it took me to get to read this one. I also haven’t read any other reviews so I’m not sure what other people think about it. (I have plenty stored on my reader though.)
It’s fairly simple for me though, it was pretty much just a meh for me. I’ll read it again because I loved having the opportunity to dive back into Harry Potter’s world, but if I’m honest there are better works on Pottermore.
I think a large part of this has to do with this being a script and not a novel. The other part of it is that I think there might have been too many “cooks in the kitchen.”
It’s very rare that a series starts off and continues to pick up steam the entire way through. In my previous experience, there is usually a middle-book slump. In the case of Deborah Harkness’ All Souls Trilogy the middle book of the trilogy, Shadow of NIght, was the stand out, followed closely by The Book of Life and in a distant third, the trilogy opener A Discovery of Witches.
This could be because the entire series takes place over about a year (give or take a few months because of time travel), but more than likely I think it has to do with the amount of action continuously increasing as the series moved forward. This wasn’t necessarily a good thing as I’ll talk about below, but that’s my conjecture. Continue reading “Book 454: The Book of Life (All Souls Trilogy #3) – Deborah Harkness”
Picking up where A Discovery of Witches leaves off we are right back in the story of Diana and Matthew! It’s hard to hide spoilers, especially the one at the end of the first book because it sets up the entire second book, so if you plan on reading the series skip my response!
I shouldn’t be as surprised as I am, but I am a little surprised at how much I enjoyed book two of the All Souls Trilogy. For everything that was missing in book one, Harkness made a great effort to bring it back to this book. She reined in the over descriptions, she brought a little more sass to her characters, and she wrote 16th century Europe wonderfully. Continue reading “Book 453: Shadow of Night (All Souls Trilogy #2) – Deborah Harkness”
I probably would have read this book closer to its release, but unfortunately it’s part of a trilogy (this followed by (Shadow of Night and The Book of Life) and I didn’t want to read the books as they came out so I waited to read it. I really wanted to read it a lot sooner because a lot of my blogger friends who really enjoyed it. That being said, I’m a little grumpy as I’ve just found out that Harkness will continue writing in this universe with the release of The Serpent’s Mirror next year. So bah.
If I had to break this down into a one sentence review it would be: Harry Potter meets Twilight for adults. That’s definitely a bit reductionist, but as I was reading that’s what I kept thinking. It wasn’t as much of a compulsive read as either of those series, but A Discovery of Witches definitely stands on its own.
It’s like L’Engle knew exactly what I was struggling with when she wrote An Acceptable Time. I had been struggling with the mundanity of the O’Keefe Family series and I’d been complaining about the short rapid endings. I’m not sure if she answered all my questions, but she wrote this one well/differently enough that it felt like she answered all of my concerns about the series.
It was also, to me at least, great that this book was the eighth book written and the eighth in the series, the only other one to happen like this is the first. But I think that probably worked to L’Engle’s advantage in that the interconnectedness of the two series is apparent throughout. The mentions of characters and happenings is excellent, but I was a little confused about how open the Murray’s were about their children’s time travel and experiences, but a little less open in this book about their granddaughters’. Perhaps it has to do with getting old, or Polly not being their permanent responsibility, but it felt a bit odd considering the first four books in the series.