Tag: Illustrated

Books

Book 673: Fence Vol. 3 (Fence #3) – C.S. Pacat, Johanna the Mad, and Joana Lafuente

Geoff W

I wasn’t obsessively looking forward to this since I had issues with my timing of reading the first two volumes, but when I went to grab Go for it, Nakamura! from the library and saw this was available, I grabbed it too.

This picks up right where Fence, Vol. 2 left off and there’s no recap or anything as these were originally being released periodically and read as periodic comics. Like I said in the last review about the timing between Fence, Vol. 1 and Volume 2. I should’ve just waited and read them back-to-back. It would’ve been a more rewarding experience and I doubt I would’ve been quite so disappointed in this one.

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Books

Book 669: Are You Listening? – Tillie Walden

Geoff W

When I picked this up from the library, I had some preconceived notion that it would be more along the lines of Bloom than what it ended up being. I’m not sure why I thought this. They did often appear on Best (LGBT+) Graphic Novels of 2019 lists together, but that shouldn’t really have made me think they’d be as similar as I thought they would be.

I was drawn to the illustration style on the cover as the limited use of colors reminded me of Bloom and the illustration style reminded me of Alison Bechdel’s style in Fun Home (or maybe it’s just the glasses on Lou?). Walden’s story follows Bea as she’s running away from home, we’re not told why at the beginning and Lou, a distant family friend doesn’t ask any questions. A random cat shows up (Diamond) and then the story gets really weird, like magical realism weird. [SPOILERS after the jump, including the recommendation.]

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Books

Book 668: Charlotte Brontë Before Jane Eyre – Glynnis Fawkes

Geoff W

I stumbled across this illustrated biography of Charlotte Brontë after one of my google alerts (“Boston” and “Brontë”) alerted me to this article in Seven Days, Vermont’s Independent Voice publication. I’ve been meaning to read an actual Brontë biography forever really, but specifically since the 2017 release of To Walk Invisible on PBS and my visit to the Parsonage in 2018.

I read The Mother of the Brontës last year which covered a good portion of this and some of the inspired works cover similar time periods because they were all so young. The downside of the Brontës and Austen are how short their lives were and we can only glean so much from the few letters and drafts of their works that exist, but there are instances where a little creative license and ingenuity can make these well known facts and situations seem new again. And that is the case with this Fawkes work.

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Books

Book 644: Encore (The Backstagers #3) – James Tynion IV, Rian Sygh & Walter Baiamonte

Geoff W

Of the three, this was my favorite. Rebels Without Applause and The Show Must Go On were both good reads and absolutely must be read together, but I think this one was more what I was expecting when I picked up the firs tone. This is a series of vignettes centered around Valentine’s Day and Halloween. They’re short, they’re adorable, and they don’t require knowing the entire backstory of those first two volumes.

My favorite of the stories was the Valentine’s Day story around Beckett. Who doesn’t love a bah humbug story with a happy ending? It didn’t hurt that Jory and Hunter were extra adorable.

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Books

Book 643: The Show Must Go On (The Backstagers #2) – James Tynion IV, Rian Sygh & Walter Baiamonte

Geoff W

This was a  good quick read and a must read if you want to have any idea about what’s going on in Rebels Without Applause. They really should’ve put this into one collection. Maybe they did it because of the timing of these last four issues, but it wasn’t worth reading one and then waiting for the other.

The Backstagers: The Show Must Go On contains all the backstory that Volume 1 really needed to make it make sense, mostly. There seems to be a time jump between issue four (end of volume one) and five (beginning of volume two). I’m not sure if I’ve missed a lot (there are novels and I believe this was a webcomic) because the whole thing seems more disjointed than I thought looking back on it.

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