The best part though, was when we got on our plane to Florida it was snowing and then we were in the Caribbean for a week. FANTASTIC. In addition the annual video game exposition, PAX East, came to Boston and we went this past Sunday.
As I’m slogging my way through the absolute TOME that is Crashed: How a Decade of Financial Crisis Changed the World (which is fascinating), I needed something a little lighter to break up the finance/business talk.
I wasn’t sure what to expect with this. Suede is a great romance writer, but sometimes it’s a little crass for me. This one definitely rode that line and sometimes went over, but not enough so for me to abandon the book (as if I’d ever do that). Ultimately, Suede pulled me in though I mean a neurotic comic book illustrator (Trip) and a southern comic/pop culture nerd (Silas) getting together in the big city (NYC), hello custom-made dream for me 😀
This was harder to read than I thought it would be. Not because of anything I’ve personally experienced, but because it kept hitting me over and over that what was happening in this book was not happening in the 60s, 70s, 80s or even 1990s.
It was happening in the mid-2000s, the same time I was coming to terms with my sexuality and learning about the wider LGBTQ+ world. It was also incredibly eerie how many of the thoughts Conley had mirrored thoughts I had myself and I did not grow up religious, just southern!
It’s finally starting to feel like Spring again here in Boston. We really thought winter would never end and after the flooding last month we didn’t think the city would ever dry out either!
I’m still trying to figure out where April went, but with a big even at work, PAX East, finishing unpacking and the weather starting to clear up it’s no wonder it flew by.
This is one of those books that has been on my metal list to look into since it came out. For some reason though, I had lumped it into the same sort of release period as Ender’s Game and The Hitchhiker’s Guide to the Galaxy and boy was I surprised when I realized it was written and released in 2011. I knew I would get to the book some day, but the movie release in the next few months, preview embedded at the end of the post, my desire to read the book increased dramatically.
I didn’t read it quite as fast as I read some of the recent Jane Austen fan-fiction, but I did get through this one pretty quickly. I found the writing simple enough to breeze through and my vague familiarity with a lot of the 1980s pop culture helped (even if I did have to google quite a few). The strengths, for me at least, were the realistic vision of where we could easily end up as a society within the next few decades if something similar to OASIS actually becomes reality. The OASIS or, “The Ontologically Anthropocentric Sensory Immersive Simulation was a big place.” (48), is in essence an internet/game type situation that could include full or partial body immersion. Cline isn’t the first, nor will he be the last to write something like this. It’s a dystopian vs. utopian, good vs. evil, privacy vs. corporate consumerism story for the ages.
Atwood is an incredible writer and story teller and there’s really not much more that needs to be said, so when I saw her newest collection of short stories I knew I had to request it! I received a copy from the publisher, in return for my honest opinion:
That would be a little cruel, to leave it just at that even though it would still describe it perfectly. Below, you’ll find a one-to-two sentence review of each of the nine tales and a single quote from each.
On a different note, if you haven’t heard Margaret Atwood is the first author of the future library! This is a project where authors are asked to write a work and it won’t be read for 100 years. This makes me both incredibly happy, as she writes such fantastic speculative/near future fiction, but also sad that I won’t be able to read it! It’s a fascinating project and I could go into it in detail, but really you should just read about it at The Guardian.
If you’ve followed this blog for a while you know I’m obsessed with miniature street art. More recently I’ve been focusing on text and wondering whether text is art and if not where do they merge/diverge. I’m guessing this comes from starting to listen to the 99% Invisible podcasts a few weeks ago. A few weeks before I started listening I had to go to Lowell, MA for the a day long conference (which was actually a lot of fun) and one of the first things I noticed in this former industrial town was all of the text: old industrial signs, old advertisements, building/company sings and street signs. And then I just happened to look down at the cross walk (I was looking for the ridged spinning thing for blind people) and I noticed the above text. And I just thought it was kind of cool and even though it’s totally practical, it’s become a part of public space and to me is a type of art! And now for the nerdiness!