Tag: Nobel Prize

Books

Book 911: The Bluest Eye – Toni Morrison

Geoff W

Book cover of "The Bluest Eye" with Amazon Affiliate linkToni Morrison is one of those authors who have always been on my list, mostly due to the controversy around their books (stupid book banners), but I’ve never gotten around to reading them. Both The Bluest Eye and Beloved were on my The Classics Club list I created back in 2012 and I picked up physical copies sometime after that.

When Morrison passed in 2019, I told myself I would read her works and it took me this long to get to them thanks to always being distracted and just not making an effort. Both are relatively short so ended up on my Rando Book Selector spreadsheet using randomly generated titles from roughly 60 books to slowly chip away at my TBR pile and The Bluest Eye came up as I was planning for a recent vacation and here we are.

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Books, Quotes, The Classics Club

Book 138: Doctor Zhivago – Boris Pasternak

Geoff W

Doctor Zhivago counts for three challenges, and actually wraps up one of my 2012 Challenges! It counts for the Back to the Classics Challenge (6 of 9), The Classics Club (12 of 100), and is my final book for the Tea and Books (8 of 8) challenge! I will do a wrap up post for the Tea and Books challenge early next week. For the Back to the Classics Challenge, this book was the novel from a place I realistically wouldn’t visit. After reading Doctor Zhivago and Anna Karenina I can say my aversion to visiting Russia is less, but I still would list it as not likely to travel to.

One thing I’ve learned that is vitally important when reading a classic novel is that you have to read the introduction. Sure it might tack on 20-30 extra pages, but they are there for a reason and they reveal so much information that is incredibly useful when reading a book, not to mention they give you a head’s up of what to look for as you read. For example, in the introduction to Doctor Zhivago, the following quote points out how the novel is written.

“Pasternak’s vision is defined by real presence, by an intensity of physical sensation rendered in the abundance of natural description or translated into the voices of his many characters.” (loc. 146)

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