I must preface this post with the caveat that prior to reading the novel I knew little about it. I vaguely knew that Whoopie Goldberg and Oprah Winfrey were connected to the film, but that was it. And for future reference, this is how I approach most novels I read.
To be honest, it’s hard to know how to respond to a novel like this. When an author opens a novel with a scene as disturbing as that which opens The Color Purple, how can you respond other than viscerally? How can you relate to something that is foreign to you as a reader?
Take a look at the opening line and you can only imagine where the story goes from there.
“You better not tell nobody but God. It’d kill your mammy.”
And that doesn’t even cover the shock/horror I felt in the first few pages of the novel. It doesn’t reveal anything, really. Clearly, however, Alice Walker wrote an amazing novel. Walker keeps the reader riveted, regardless of your relation of the experience, from the brutal opening scene to the emotionally exhausting closing scene.
So far of the books my boss lent me last September this is by far my favorite. Although I enjoyed Donoghue’s 
If you have ever been spurned in love, then you know exactly what the unnamed narrator of After Delores is going through. And over the four months of the book she goes through a lot and most (if not all) of it is somehow connected to Delores. This book counts as number 10 of 25 for the 
Hood is the first of the 40 books I’ve committed to in Reading Challenges for 2012. It comes from the