Bare with me for a moment as I go on a tangent. Recently, I’ve been obsessed with re-watching the Netflix adaptation of Alice Oseman’s Heartstopper series and IÂ couldn’t realize why other than it’s a fantastic series and adaptation, but then I read this book and it all clicked into place: queer joy.
Growing up in the 1990s/early-2000s I’d say 85%+ of all depictions of LGBT characters were tragic or left to interpretation and this is a prime example of that. Having the opportunity to watch Charlie and Nick in Heartstopper as they discover happiness and joy, even with setbacks, mental health issues, and added TV drama, is just such a wonderful feeling of relief and joy that I float along every time I watch it or listen to the soundtrack or think about it. And this is in stark contrast to Roy and Nathan, the protagonists of Grimsley’s second foray into the novel.
I picked this up back in 2016 and it’s languished on my TBR Austen/Brontë shelf ever since. It came up on my random book generator spreadsheet when I was packing books for our vacation back in February but it was the last one on the list and it kept getting delayed.
Jim Grimsley is probably one of the most depressing writers I’ve ever read, and yet I keep going back to him every 5-10 years. Depressing may not be the correct descriptor, he just writes such desolate books and truly embraces the southern gothic style and maybe that’s what draws me to him?
Even though I am incredibly organized, I often think I can be much more organized and wonder how other people stay organized, so when I first heard about this book from Ann on the podcast Books on the Nightstand I knew I had to get a copy. I loved the title and wanted to read more about it the organizational suggestions. I grabbed a copy from my local library and here I am.
I read this book as a part of The Literary Others October LGBT History event. I received a copy from the publisher via NetGalley and the response below is my honest opinion and I received no compensation.