In a further attempt to get a few more posts up while I’m on vacation I went to my TBR shelf and found I had two more Paulo Coelho novels yet to go so I grabbed them to read. They’re always easily written, well translated and fascinatingly beautiful and The Witch of Portobello , was no exception. I’m actually not sure when I picked up this book as I can’t find a photo of it, so I’m going to assume it was sometime in 2011 right after I read The Alchemist.
Every time I read a book by Coelho, I find myself wondering about and searching for my spirituality. Whether he is talking about the Mother or organized religion (usually not), Coelho has a way of writing incredibly complex ideas and intricate narratives that is so simple and beautiful that it’s almost breath-taking. I do wonder if it is even more beautiful in his native Portuguese, how can it be so incredibly beautiful translated into English and not be beyond beautiful originally. So that being said, some credit must, obviously, be given to Margaret Jull Costa who has translated other works by Coelho including Veronika Decides to Die and Eleven Minutes (my next read) and many works by José Saramago including Seeing.
Book three of the Jane Fairfax trilogy just didn’t live up to 
When I finished this I did a little wiggle in my seat and clapped my hands. Some times I really do wonder about my sanity.
I would love to say this is the only vampire inspired fan fiction of Jane Austen I have on my shelf, but it’s not. I won this in a blog raffle from the Mount TBR Challenge back in 2013 hosted by 
If you’ve ever read this blog before you know I really love two things: books and Jane Austen. So when I found out Charlie Lovett, author of