I planned to start with the ridiculous movie theater I went to, but why not just go in order?
If you remember back in March I went to see a live taping of the podcast Welcome to Night Vale and how much fun I had, you’ll appreciate this. When I found out a few months ago one of my favorite podcasts, Throwing Shade, was coming to Boston I immediately bought tickets! The original plan was that Caroline, Hayley, a TBD friend and I would go. I mean it’s a comedy podcast dealing with politics and pop culture, of course it would be AMAZING.
As promised I have a lot to talk about this month and I’m still excited about next month’s culture corner knowing what’s coming! This past month has been a busy month culturally speaking from an awesome winery tour and tasting to another theater production and a book talk to a sing-a-long movie I did so much. So onward!
To start the month off (not really), but culturally speaking, I went to the Wheelock Family Theatre production of Hairspray and it was fantastic! I usually go opening night as I work for the school and get free/discounted tickets. From the opening number to the closing the entire show kept the audience (me) completely engaged. Even though I felt that Jenna Lea Scott did a great job as Tracy Turnblad, I felt that Jennifer Beth Glick, as Penny Pingleton upstaged her and everyone else in the production. From the way she chewed her gum to the interactions with Seaweed I couldn’t take my eyes off her, she is one of those actors that acts the entire time they’re on stage even when they’re in the background (similar to Celie from The Color Purple in last month’s Culture Corner).
This was a very cultural month or perhaps I made an effort more than I have the past few months. I’ve noticed a lot more public artwork around the city and haven’t taken a single photo of it, maybe I’ll try to get some for next month’s Culture Corner. Instead you get to relieve two amazing events and my virtual rock-starness.
Above you can see my tickets for the Harvard Bookstore Margaret Atwood reading and the Boston Lyric Opera’s performance of The Magic Flute.
Apparently this was the perfect time to read this novel. If I would’ve read it any sooner I probably would’ve been upset or bothered by it, but I wasn’t and it was quite enjoyable.
I would never have picked this book up on my own, but it is our February book for Books into Movies book group at the local library. I enjoyed the book more than the movie, shocker, but mostly because I didn’t see the need to move it from London to the US or the rather odd way they had the protagonist, Rob, interact with the camera/audience.
Primarily, this novel is about break-ups, but it’s also about reflecting on one’s life (and love life) in your mid-30s. Now I’m not quite there yet (two more years to rock out my 20s), but I can definitely sympathize with the Rob and questioning everything about every previous relationship and whether it all has to do with him. However, I REALLY hope I don’t go through this sort of soul-searching because I can only imagine how awkward it could be.
It may have taken two weeks to read this book, but it was completely worth it. I don’t know the last time I’ve spent this much time basking in the beauty and wonderment of a novel. 1Q84 counts for my 2013 Mount TBR and Tea & Books challenges. Now on to my response, which is jumpy and hardly all-inclusive, but hopefully it portrays some of the wondrousness this novel is. Let’s just say I can’t wait to read more Murakami, regardless of if it’s a mind f*ck like Kafka on the Shore or like 1Q84, which is also technically a mind f*ck.
How does one even begin to classify Murakami. From the two books I’ve read the only things I can definitely say are that he defies genres and bucks trends, is incredibly well versed in classic literature and music and popular culture (films and music) and his descriptions are so vivid you don’t have to strive to imagine things because you see them completely formed in front of you. What I can appreciate is Murakami usually drops a line into his books which perfectly explain the books (so far, again I’ve only read two) and this books is (NOT A REAL SPOILER, but maybe skip the quote if you don’t want to know anything – the rest is okay though.), Click here to continue reading
I’m so disappointed I didn’t discover this book in High School, but at the same time I really doubt I would’ve appreciated it as much as I do now. Although I was an incredibly straight-laced kid in High School and couldn’t relate to some parts of the novel as a high school student (sex, drugs, partying, Rocky Horror?!?), I could definitely relate to many other parts. I haven’t seen the film but will definitely see it soon. I’m still shaking my head wondering what took me so long to read this book!
The scene where Charlie gave out perfect Christmas presents to each of the people in his immediate circle of friends, just from having listened to them was great! I mean that is the same thing I do. I listen and suck in all the details about people and then awkwardly regurgitate facts to them later about what they’ve said at that party or at previous parties. It’s a great party trick, but at the same time it often makes me come across as anti-social or creepy (so I assume, no one has ever reinforced this thought).
I decided to read Seraphina after seeing Grace’s review of the galley over at Books Without Any Pictures, and I am very glad I did. Of all the dragon novels I’ve read in the past few years, and I’ve read quite a few, this one is probably the most unusual.
I’m not sure if it has been done before, I vaguely recall perhaps Irene Radford having done it, and I know Christopher Paolini has one character that is somewhat of a dragon/human, but having the dragons transform into humans was definitely interesting. And then narrowing the focus even more was beyond incredible.
THERE MAY BE SOME SPOILERS! DON’T READ THE NEXT PARAGRAPH! (After that you’re okay, I think!)