I picked up my copy of this book just 11 days before Maya Angelou died last spring. I’d always had this book (Amazon link) on my list, but I’d never found a reason to pick it up and for some reason at the library book sale last year I finally added it to my pile. I knew I wanted to read it because it is one of those books that is mentioned by everyone and has such a place in American culture, but not as widely read as I probably assumed.
As I read the novel I was floored at the breadth of experience Angelou faced before she turned 17. At times the novel reminded me a lot of The Color Purple and Bastard Out of Carolina, but I have a feeling both Alice Walker and Dorothy Allison were inspired/influenced by this. That being said, of the three this is the most profound work. Perhaps because it is explicitly an autobiography (and Bastard is semi-autobiographical and Purple is a fictional novel).
For book two of our Jane Austen Book Club, my friends and I decided to conquer Emma(Amazon link). It has always been my least favorite of the six and reading Deresiewicz’s A Jane Austen Education both confirmed that and helped me get around this problem. His talking about Emma and it’s belief in the importance of every day trivialities, as well as Margaret Drabble’s excellent introduction led me to think about the book differently.
Don’t get me wrong, it’s still boring as anything in most points, but Austen wrote it this way. According tot Drabble, Austen wrote this novel in such excruciating detail in direct response to the detractors of her previously published novel Mansfield Park, which I love. Drabble says, “This is domestic realism almost with a vengeance.” (xix) AND it is! The hyper focus on every detail, the incredibly limited scope of setting, characters and even conversation topics is overwhelmingly mundane. It is an assault on the senses, and as a fellow JABC member said “i’m diagnosing myself with ’emma-induced narcolepsy.'” (Thanks Dalton!)
Continuing my “Jane-uary” theme, I’ve just finished Northanger Abbey in time for our Jane Austen Book Club (JABC) discussion, which was unfortunately postponed due to a blizzard here in Boston. In addition, this acts as my revitalization of my Classics Club attempt. I apparently only read two books last year. How embarrassing! I’ll read at least six this year with the JABC so that’s a bonus.
Let’s start with I’m ashamed to admit I forgot how absolutely lovable and amazing Henry Tilney is! This is one of the two Austen books I’ve only read once and that is will most definitely change in the future. On the scale of Austen heroes he’s always been lost in the non-Mr. Darcy fray for me. I think he is still behind Darcy, but his bookishness and (what I see as his) disdain for social norms made me laugh on numerous occasions!
So because I’m so tired and have been so busy I wanted to do something fun and easy. I’m not sure I’d call this either but here are my responses to the 50 Classic Club Questions. Yeah. Click here to continue reading.
The Classics Club moderators are keeping me out of my comfort zone this month and asking about poetry.
Let’s talk about classic poetry! Have you got a favorite classic poem? Do you read poetry? Why or why not? // You could also feature a poet or a book of poetry, rather than a poem.
Needless to say, I have very little to say about poetry. I didn’t enjoy it school and I don’t go out of my way to read it. There was a time period where I considered myself a poet (Don’t we all?), but I’ve never read a lot of it. I do love good use of poetry in a novel like in The French Lieutenant’s Woman: