Fair warning: 1) This isn’t meant to be offensive or dismissive; 2) I got distracted and went off on a tangent; 3) This is probably not the most well thought out post I’ve ever written; and 4) I think these types of dialogue building questions are important and as I mention near the end, this is just a gut response.
“Dead white guys” are all too often the focus when it comes to discussions of the Western Canon. We’d love to see members highlight classic works or authors that are overlooked in the canon that deserve recognition. Pick one/or more and tell us how their work resonates for our century and/or for you. As always, you determine what is a “classic” in your point of view, including works from 2000+, and works from anywhere in the world. // Or, if you have trouble thinking of an author/work to highlight, you could simply discuss the topic itself: What is “The Western Canon” — have you thought about who/what determines which works are recognized from human history?”
As someone who is pale (white), male (born), and will one day be stale (old) not to mention western (American), I’m not sure how to think about this question. I do completely understand the necessity of asking the question and the vital importance of broadening the definition of classics, but for some reason the way the question is phrased it got under my pale skin. 😉
This is one of those books that make me glad that I participate in my local library’s book group! I would never have gone out of my way to read this book and I surprisingly enjoyed it. I’ve done like I did with 
And with this book I completed ALL of my reading challenges this year! I will do a wrap up post (year, challenge and month) on either the 31st or 1st, but for the record this was the 11th book of the Back to the Classics Challenge, the 6th book (but 8th counted – two were double) for the Tea and Books Reading Challenge and the 25th Mount TBR book!