I have to say I enjoyed this a lot more than I expected to. It was an easy read and even though it felt like nothing happened, and I remember the movie being very slow because of this, the book went by quickly. I’m still not sure I fully understand the purpose or premise of the story. I guess it’s somewhere between a murder mystery/thriller, told from the murders point of view, and a comedy of errors.
I have never read anything by Patricia Highsmith, but her writing was easy to follow and her descriptions were, I felt, better than her action sequences. I do know there are three additional novels in the Ripley series, but I don’t think I will go out of my way to read them. This first one was enough for me, but if Highsmith’s writing had had more of an impact and not left me just sort of blase at the end of the book I would definitely want to check them out. Surprisingly I had more of a desire to find out more about Ripley after the end of the film, which is distinctly different unless it’s blending in parts from another book. (Anyone know?!)
I will definitely be interested in book groups take on this novel as the film stayed pretty close to the book but only hyper-exaggerated a few aspects, such as the potential for homosexuality and the seeming instability of Tom Ripley towards the end of the novel.
Literary Others Synthesis
Surprisingly, I found a tie-in to this months Reading event and thus I’m including it as well! I found the below passage about 1/3 of the way through the book and it’s striking for two reasons.
Nobody had ever said it outright to him, not in this way.
“It’s just the way you act,” Dickie said in a growling tone, and went out the door.”
Tom hurried back into his shorts. He had been half concealing himself from Dickie behind the closet door, though he had his underwear on. Just because Dickie liked him, Tom thought. Marge had launched her filthy accusations of him at Dickie. And Dickie hadn’t had the guts to stand up and deny it to her!
He went downstairs and found Dickie fixing himself a drink at the bar shelf on the terrace. “Dickie, I want to get this straight,” Tom began. “I’m not queer either, and I don’t want anybody thinking I am.”
Neither Tom Ripley nor Dickie Greenleaf are explicitly homosexual or heterosexual. There is actually a distinct lack of sex and sexuality in the novel (Highsmith wrote and set the novel in the 1950s). Even the two female characters who make any sort of prolonged appearance come across as distinctly non-sexed.
However, the reasons that it stands out are the ambiguity with which Highsmith dealt with all sexuality, specifically homosexuality, and the almost hopeful way in which Tom says that Dickie didn’t even want to stand up to Marge and just sort of rejects it. Now I won’t read into the book too much, but let’s face it Dickie doesn’t really reject Tom because of Marge. I think Dickie realizes that he and Tom are getting closer and closer and that frightens him and he conveniently blames it on Marge. Tom is a different matter and I really think he does desire Dickie. He seems to have a desire for any person who intrigues him and seems to have fallen for Dickie in this manner, but whether it’s solely a desire to become and posses that person or a sexual desire is unknown.
For once, I appreciated the movie just a bit more than the book. They definitely ramped up the sexual frustration between Tom and Dickie and Dickie and Marge and Tom and Peter (oh yes), and it added a bit more depth and intrigue to the film. I felt the ending of the film was much more powerful because of what happened than the almost happy uplifting ending of the book.
Recommendation: Unless you’re really interested in the author or reading the book I’d recommend steering clear. They book and movie are both really slow moving and I could’ve done without reading them.
Opening Line: “Tom glanced behind him and saw the man coming out of the Green Cage, heading his way.”
Closing Line: “‘To a hotel, please,’ Tom said. ‘Il meglio albergo. Il meglio, il meglio!'” (Last portion translates as, ‘The best hotel. The best, the best!’) (Whited out.)