I’m finally starting to make a “dent” in my to-be-read shelves! YAY! On the downside, due to work events and the seasonal time change affecting me more than usual this book took two weeks to read, which is sad because it was so beautifully written.
I’m going to start by saying take my review with a grain of salt because this is a book about books and writing and conservation so of course I loved it. It also coincided with our visit to the 39th Annual Boston International Antiquarian Book Fair (a blog post about it on The New Antiquarian as the BIABF’s website appears to be down), which was great because we saw many religious texts which reminded me that I needed to finish reading this wonderful book! I’ll talk more about the fair later in a special Culture Corner post, hopefully, or at the very least in my November recap in early December.
I was so excited this book came in early at the library. The best part about living in a bigger city is that we have multiple library systems so I wasn’t sure which one was going to come in first, but I didn’t expect either of them this fast. There were almost 200 people on the list and I thought for sure I’d signed up a lot later, but apparently not!
This is just as much a page turner as The Cuckoo’s Calling and The Silkworm and provides even more character development for Cormoran Strike and Robin Ellacott. It picks up not long after The Silkworm and Robin and Cormoran have seen a successful uptake in business, that is until they receive a woman’s severed leg in the mail. And then they’re off on the chase. What always surprises me about mystery novels is how little action there can be, but with a great writer it still feels action packed.
Having just finished reading the Marvel Illustrated version of Emma, I figured why not try the Manga Classics version! I received a copy from Udon Entertainment in return for my honest opinion with no compensation. And let me tell you, I am very glad I requested it!
The closest thing I’ve ever come to reading manga is watching Sailor Moon and Dragon Ball Z in high school and I never thought I would actually read one. I’m glad however, that I happened to listen to this Good Job, Brain! podcast the week before I read this! I felt so knowledgeable going in. This won’t be a side-by-side comparison of the two graphic adaptations of Jane Austen’s Emma, but I’m sure I will refer to the major differences between the two. But first, let’s start with how to read manga.
Before I conquer Dr. Mütter’s Marvels, I decided to read the Marvel Illustrated version of Emma. If you’re not aware, Emma is my least favorite of Jane Austen’s novels. (Gasp! Horror!) This being said, I’m getting ready to read my first manga which also happens to be Emma, so maybe I’ll find something to enjoy in the story.
I will start that having already read Northanger Abbey, also adapted by Nancy Butler and Janet Lee in the Marvel Illustrated series, it made reading this one a bit easier. I think a large part of this is a direct response to the cover art of Northanger Abbey, it was so different from Lee’s illustrations. This one had the same illustration style for the story AND the covers. It definitely helped and didn’t set up any false expectations.
For our fifth installment of Jane Austen Book Club we read Sense and Sensibility (S&S). Not only is this book the penultimate book of this year’s book group, it is my last Austen re-read for the Classics Club! That makes it my 42 Classics Club book and I’m glad to still be slowly chipping away. Goodreads reminds me I’m 29 books behind schedule from my original Classics Club start date, but I abandoned the five-year plan ages ago. I figured I should enjoy the Classics when I want to enjoy them and not force myself to meet some arbitrary time limit.
Like all of Austen, I’m confused why I haven’t re-read this in so long. Obviously, there are so many other books to read, but it went by so fast and the story is just so great that I really should make an effort to re-read more than just Pride and Prejudice (P&P) every so often!
I had a vague idea these adaptations existed, but I’d never encountered one in the wild until I read Jane Austen: Cover to Cover and went out of my way to visit a comic book store to look for one. I got lucky on my second try with Comicazi in Somerville, but they only had the one. (Hub Comics in Somerville was also great, but didn’t have any in stock.)
What truly strikes me, having finished this in one commute to and from work, is that doing a bit of research I’m not surprised I didn’t know these existed. Butler in the introduction talks about how these titles came about for Marvel Illustrated (full list of titles available under the imprint) and mentions that she said they needed to do some for young women and girls. When I did a bit of research I found that the imprint was only active from 2007-2011 and they didn’t finish Jane Austen’s novels :-( However, I did find out there’s another imprint, Classical Comments, has WUTHERING HEIGHTS. Let me repeat this one more time, there is a are multiple graphic novel versions of WUTHERING HEIGHTS.
What a journey! I don’t know what I was thinking waiting this long to read this novel. It’s been sitting on my bookshelf for almost 10 months and has been out for over a decade! In the last few months I finally heard enough about Jonathan Strange & Mr Norrell to pick it up and read the tome that it is. (AKA the boyfriend wants to watch the new TV adaptation and I said I couldn’t until I read the book.)
I am most definitely beating myself up for not reading it sooner. Sure I was a bit scared of the length, hello doorstop clocking in at 846 pages, but I was even more concerned with the comparisons to Dickens! How wrong I was; how wrong I was. For some reason I let this one comparison (I still think Dickens needed an editor) blind me from the wondrousness that was this book.