The only other Hornby I’ve read is High Fidelity (the film adaptation was meh), but I loved the film adaptation of About A Boy, so I wasn’t sure where this novel would go. I hadn’t planned on reading it, but one of my favorite podcasts, Pop Culture Happy Hour, announced they were going to do an episode a few months ago so I put it on hold and timed it almost perfectly to listen! (I missed the exact episode by a little less than week.)
I think the podcast hit the nail on the head when they talked about the story (Amazon link) being more focused on “the show [Barabara (and Jim)] rather than the funny girl of the title, Barbara/Sophie. But what Hornby didn’t do, was show us the show, he only ever referred to specific gags, situations or dialogue. Someone on PCHH said it should’ve been called “The Show” and I can’t agree more. It would be a better title and it would definitely have chosen to read it if that were the title too!
Ever since I read Seraphina back in 2012, I’ve been patiently waiting to the conclusion of her story! It was well worth the wait and I couldn’t be happier about this book. I received a copy from the publisher in return for my honest opinion, and honestly, it’s EXCELLENT!
I wasn’t sure how Hartman would go about improving on the story (Amazon link), but she definitely did. She made it more inclusive, more exciting and a lot more enthralling. I have no idea how she did this, apart from taking almost three years, but it was definitely worth the wait. I know I talked about her amazing story telling and character building in my response to Seraphina, but Hartman brought it to a new level in Shadow Scale. If anything, I wish the book were longer to flesh out more of the “grotesques” and what happens after the story ends.
For book two of our Jane Austen Book Club, my friends and I decided to conquer Emma(Amazon link). It has always been my least favorite of the six and reading Deresiewicz’s A Jane Austen Education both confirmed that and helped me get around this problem. His talking about Emma and it’s belief in the importance of every day trivialities, as well as Margaret Drabble’s excellent introduction led me to think about the book differently.
Don’t get me wrong, it’s still boring as anything in most points, but Austen wrote it this way. According tot Drabble, Austen wrote this novel in such excruciating detail in direct response to the detractors of her previously published novel Mansfield Park, which I love. Drabble says, “This is domestic realism almost with a vengeance.” (xix) AND it is! The hyper focus on every detail, the incredibly limited scope of setting, characters and even conversation topics is overwhelmingly mundane. It is an assault on the senses, and as a fellow JABC member said “i’m diagnosing myself with ‘emma-induced narcolepsy.'” (Thanks Dalton!)
Hello and welcome to the latest Other People’s Bookshelves post. If you haven’t seen it before this is a series of posts set to feed into the filthy book lust/porn and either give you a fix of other people’s books and shelves. This week we are off to Boston, yes the place I have always wanted to stay longer than the 24 hours I once did and home of my favourite series Rizzoli and Isles – though hopefully there won’t be any murder today, to join Geoff who blogs at The Oddness of Things Moving and has a podcast (which I am secretly hoping he will one day invite me on to discuss Rebecca) Come Read With Me. You can follow him on Twitter here. Before we have a nosey through his shelves, let’s find out more about him…
I currently live in Boston, Massachusetts and took a…
David Vann, left, and John Boyne, at Harvard Book Store.
Monday night, I had the pleasure of attending a reading at Harvard Bookstore (Shop Local!) featuring John Boyne, of The Absolutist fame, and David Vann, whom I haven’t read yet! It was an enjoyable event and both novelists’ new works, A History of Loneliness and Aquarium respectively, sound fascinating! (I will definitely request them from my local library in the near future.) Boyne’s humility impressed me and I was glad to see him shift focus to Vann when everyone kept asking him questions.
While there, I took the chance to get my copy of The Absolutist signed (SWOON!) and that photo is at the end of this post. Did you know that it was his favorite as well? I nearly hyperventilated (and actually clapped out loud like an awkward lunatic) when he said that and immediately messaged Heather (who is getting a signed copy of a surprise book). When John, first name basis obviously, signed my book I told him how Heather and I are still getting a lot of traffic from our responses to The Absolutist and that I got a long email just last week about it. He commented that he was always fascinated about how long a story can continue to gain traction.