Books

Book 62: Sense and Sensibility and Sea Monsters – Jane Austen and Ben Winters

This Quirk Classic was MUCH better than Pride and Prejudice and Zombies. I’m not sure whether it’s because this is their second ‘Mash Up’ (as Quirk calls it) and they were able to get some feedback after the first one, or if Ben Winters is that much better of an author than Seth Grahame-Smith.

There was a stronger maturity about this novel compared to Zombies. Although there were a few nods to impropriety in Sea Monsters as Austen herself vaguely alluded to in the original Sense and Sensibility, they were nowhere near as onerous or obtrusive as they were in Zombies. But what solidifies Sea Monsters as a better novel, is Winters removing it far enough from Austen, to create a cohesive (and believable) fantasy. There were no obviously disparate elements in this novel which stood out as much as the seemingly random zombies/Orient mash-up in the previous Quirk Classic .

Winter created a story which could stand on its own. There’s no need to have read Sense and Sensibility as most of the sea monster/nautical elements can stand on their own. I’m excited for the second ‘Mash Up’ Winter created, Android Karenina. Some one recently recommended Abraham Lincoln, Vampire Hunter but I’m a bit wary as Seth Grahame-Smith, author of zombies wrote it.

Recommendation: Definitely read it!

Books

Book 57: Pride and Prejudice and Zombies – Jane Austen and Seth Grahame-Smith

This was a so-so read. I wasn’t really sure what to expect, but I remember when it first hit the shelves and everyone obsessed over it. I sort of put it in the back of my mind as a to-read book, but never thought I would as I love Austen’s novels on their own and really didn’t know what to expect with the introduction of Sci-Fi/Horror elements.

Overall this probably would’ve been a better novel if Grahame-Smith were a better writer, or a writer with better mimicry skills. The added parts stood out like sore thumbs (aside from the zombie material) and got very old very fast. It wasn’t just the zombie introduction that tried my patience with the novel, but the introduction of the Orient, from warrior training, to dojo and ninjas, it took a potentially brilliant idea and completely mangled it. Rather than just introducing the zombies and working with the time period and culture, he brought in a completely different culture and mutated the novel from a satirical social commentary to a rather ho-hum humorous horror novel. I also didn’t appreciate the crude humor, Grahame-Smith took the hinted impropriety a step to far, but I guess that’s what’s supposed to make it a comical novel rather than just a horror novel.

Click here to continue reading.