Books

Book 59: Him, Her, Him Again, The End of Him – Patricia Marx

If I were to write a novel, I assume it would be something like this one, somewhat scatter-brained, somewhat genius and somewhat ludicrous.

I enjoyed the author’s conversational tone, but sometimes the informality of it when she trailed off into the could haves and would haves fell into a long trailing run on lists which are evenly entertaining and annoying. (Entertaining because we all know we do it, and me more so than others, and annoying because after the first few times it seemed wanton and trite.)

We follow the unnamed narrator from her pursuit of a PhD at Cambridge University to the depths of unemployment in New York City with the one constant being her love/lust/infatuation of Eugene, a professor of Ego studies. It goes without saying that the love/lust/infatuation is perceptibly unrequited as Eugene not only marries another woman and has a child by her, but carries on numerous other affairs over their ten-year relationship/fling.

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Books

Book 57: Pride and Prejudice and Zombies – Jane Austen and Seth Grahame-Smith

This was a so-so read. I wasn’t really sure what to expect, but I remember when it first hit the shelves and everyone obsessed over it. I sort of put it in the back of my mind as a to-read book, but never thought I would as I love Austen’s novels on their own and really didn’t know what to expect with the introduction of Sci-Fi/Horror elements.

Overall this probably would’ve been a better novel if Grahame-Smith were a better writer, or a writer with better mimicry skills. The added parts stood out like sore thumbs (aside from the zombie material) and got very old very fast. It wasn’t just the zombie introduction that tried my patience with the novel, but the introduction of the Orient, from warrior training, to dojo and ninjas, it took a potentially brilliant idea and completely mangled it. Rather than just introducing the zombies and working with the time period and culture, he brought in a completely different culture and mutated the novel from a satirical social commentary to a rather ho-hum humorous horror novel. I also didn’t appreciate the crude humor, Grahame-Smith took the hinted impropriety a step to far, but I guess that’s what’s supposed to make it a comical novel rather than just a horror novel.

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