“They were dressed magnificently, one in the yellow of a rose, one in a rich and ancient orange, the third in a late-evening blue–three queens sitting on folding tables…” – 50
“He wants to make sure God wants him to live. So he spends a lot of time asking. He brings himself close to the edge and he feels God’s breath on his back. If God wants to take him, all he needs to do is blow.” – 72
“They were busy devoting their attention to traveling, to watching the progress of the boat–instrumental in traveling is the witnessing of passage. And I was traveling, too, I was serious about it.” – 160
“I grew up obsessed with dragons, knew everything, knew that scientists or people posing as scientists had calculated how dragons might have flown, that to fly and breathe fire they’d have to be full of hydrogen, at levels so dangerous and in such tremulous balance that– I wondered quickly if I’d give my life so that a dragon could live. If someone offered me that deal, your life for the existence of dragons. I thought maybe yes, maybe no.” – 180
“Her English was seamless. Everyone’s was. I had sixty words of Spanish and Hand had maybe twice that in French, and that was it. How had this happened? Everyone in the world knew more than us, about everything, and this I hated then found hugely comforting.” – 220
“We knew nothing; the gaps in our knowledge were random and annoying. They were potholes–they could be patched but they multiplied without pattern or remorse. And even if we knew something, had read something, were almost sure of something, we wouldn’t ever know the truth, or come anywhere close to it. The truth had to be seen. Anything else was a story, entertaining, but more embroidered fib than crude, shapeless fact.” – 238
“To travel is selfish–that money could be used for hungry stomachs and you’re using it for your hungry eyes, and the needs of the former must trump the latter, right? And are there individual needs? How much disbelief, collectively, must be suspended, to allow for tourism?” -253
“There is a corner of the sea that is deep but not so deep that it’s black. It’s the blue of a blueberry, violet in its heart, though this blue allows light through its million unseeable pores. The hue is evenly painted but electric, a klieg light pushing through a gel of cyan.” – 310
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The complete title of this work is The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary and it fully lives up to this title. It is the history of Professor James Murray (the Professor) and Dr. W.C. Minor (the Madman) and their serendipitously linked lives through one of the greatest feats of the English-speaking world.