WHY IS IT SO LONG UNTIL THE NEXT IN THE SERIES IS RELEASED!!?!?!?!?!!
It’s very rare that a book will grab me and keep me reading through a whirlwind of emotions. I’m so grateful someone from the publisher reached out to me about this book.* All I knew going in is that the main character is LGBT (she’s transgender, but also a lesbian) and this is a superhero story. It didn’t hurt that it was a young adult book (yay more diversity).
The publisher didn’t compare it to Perry Moore’s Hero, which I thoroughly enjoyed, and I think it deserves a mention. Although it’s about a cisgendered (born and identified) male, the group of quirky superheroes in that book reminded me a lot of where I’m hoping Dreadnought will go in the series. Continue reading →
I really should’ve read Trollope’s Sense and Sensibility and McCall Smith’s Emma before I read this, but getting my hands on a galley/uncorrected proof copy from Random House* sort of made that a moot point. Perhaps I’ll read the other two soon as I loved this one so much. Needless to say, I’m proud I saved it for as long as I did. I always get a bit nervous when an uncorrected proof has in big bold letters “DO NOT PUBLISH YOUR RESPONSE BEFORE X DATE.”
I mean I get it, but it’s still like you want me to read this book and then keep mum on it. How is that possible!? It’s 1) Jane Austen, 2) ADORABLE and 3) hilariously modern in a way only Jane Austen can be made so. I’ll go ahead and warn you that this response isn’t all sunshine and roses though. I will say I was hesitant of the name-change from the original, but as I read it I was convinced with the okay-ness of it. There is a tangent later that is not a reflection of the book, but of some of the stupid comments I’ve seen recently of The Austen Project adaptations.
I would love to say that this is another one of those opportunities to step outside of my comfort zone, but we all know I’d be lying through my teeth 😀 After my last experience with a specific romance publisher, I’ve shied away from them unless they were Jane Austen related for quite some time. Thankfully this one is tangentially Jane Austen related in that it’s set during the Regency. Swoon.
I’m happy to say Loveswept* may have won me over with this one. After requesting a copy of A Gentleman’s Position (out April 5, 2016) and then devouring it, I think I have a new publisher to turn to when I want something a little more frilly to read! Seriously though, I need to get my hands on the first two-and-a-half books in this series! Now, I just need to keep myself away from their galley page because I want to read all the books by all the authors!
Ever since I read Seraphina back in 2012, I’ve been patiently waiting to the conclusion of her story! It was well worth the wait and I couldn’t be happier about this book. I received a copy from the publisher in return for my honest opinion, and honestly, it’s EXCELLENT!
I wasn’t sure how Hartman would go about improving on the story (Amazon Affiliate link), but she definitely did. She made it more inclusive, more exciting and a lot more enthralling. I have no idea how she did this, apart from taking almost three years, but it was definitely worth the wait. I know I talked about her amazing story telling and character building in my response to Seraphina, but Hartman brought it to a new level in Shadow Scale. If anything, I wish the book were longer to flesh out more of the “grotesques” and what happens after the story ends.
This book simultaneously highlights what is good and what is bad about the white tower of academia. It explores a specific topic (Amazon Afiliate link) in depth, while establishing absolutely nothing, other than the need for more research. I received a copy of this book from the publisher and received no compensation for my honest opinion.
I’m going to start with my frustrations with the book (or academia/academics in a broader context) first and then move to what they did well. What frustrated me most about the entire collection were the isolationist tendencies of the authors. In a move to over-compensate for any sort of collective or global identity (and not Western-wash everything) every single paper started out within the first few paragraphs by using the almost exact phrase of, “due to cultural circumstances, male sex workers (MSWs) circumstances in this country cannot be compared to those in any other country.” The reason this was so infuriating is that there were clearly overarching themes, sexual identity (or lack thereof), technology and public health, to name a few, that Manichiello and Scott picked out and even acknowledged. However, rather than encouraging the authors to use them to tie everything together within the papers across borders and identities, they were used to bridge each of the papers between the papers in editorial asides. Seriously, if they would’ve just taken this as a given, at least 50 pages could’ve been cut out of the book due to repetitiveness.
Seriously, I’m not sure whether this is a problem or not. I don’t think it’s a bad thing, but it’s definitely not a good thing when it comes to my already skewed sense of romance and the world! But what can I say, they are a great escape and I’ve fallen for them! Can’t wait for the next one to be released.
The last two novels in this series (Covet Thy Neighbor and Never a Hero) have seriously raised the bar. I read both of them in the same day and felt that either the authors had matured since their last outing in Tucker Springs or they’ve both reached their stride in the Tucker Springs universe and I can’t wait to see what comes next. I received a copy of this book from the publisher and received no compensation for my honest response.
Sometimes you just need a bit of fluff to make life seem less hectic. And that’s exactly what this series is for me: a temporary escape from I usually read and from the every day happenings of life. I mean as soon as I start reading one of these (or my Jane Austen fan-fic) I immediately have a smile on my face and start giggling to myself.
This is my first Galley of 2013 and I don’t plan on reading too many this year because of my huge backlog of owned books. I have one left over from 2012 and two additional I’ve requested this year, but I’m only planning on requesting them if they are for series (like this one) or by an author I really want to read, like the second one I’ve requested from the Other Press. I received a copy of Dirty Laundry via NetGalley and this is my honest response and I have received no compensation.