I think the biggest issue I have with this book is how quickly it ended. Some of this is of course due to the Amazon Kindle flaw of telling you have 8-10% left in the book when really you have 1-2% and the other 8-9% of those pages are bonus content. But, the rest of it has to do with this having the first true cliffhanger in the series. [This might not be true as I can’t really remember the endings of the others, just they all blend together.]
When the publicist reached out to me with this way back in December I wasn’t 100% sure I wanted to read it.* At the same time, I knew I wanted to try to read a little broader this year so I said yes anyway. What I didn’t expect was to start this at 9pm one night and finish it by noon the next day on my lunch break at work!
This book starts with a bang and then continues with a series of gripping chapters that keep you engaged. Don’t get me wrong, it wasn’t perfect, you could tell this was a debut novel, but there’s definitely more to come from Boush.
This is one of those books that has been on my metal list to look into since it came out. For some reason though, I had lumped it into the same sort of release period as Ender’s Game and The Hitchhiker’s Guide to the Galaxy and boy was I surprised when I realized it was written and released in 2011. I knew I would get to the book some day, but the movie release in the next few months, preview embedded at the end of the post, my desire to read the book increased dramatically.
I didn’t read it quite as fast as I read some of the recent Jane Austen fan-fiction, but I did get through this one pretty quickly. I found the writing simple enough to breeze through and my vague familiarity with a lot of the 1980s pop culture helped (even if I did have to google quite a few). The strengths, for me at least, were the realistic vision of where we could easily end up as a society within the next few decades if something similar to OASIS actually becomes reality. The OASIS or, “The Ontologically Anthropocentric Sensory Immersive Simulation was a big place.” (48), is in essence an internet/game type situation that could include full or partial body immersion. Cline isn’t the first, nor will he be the last to write something like this. It’s a dystopian vs. utopian, good vs. evil, privacy vs. corporate consumerism story for the ages.
I’m not sure if this has pulled me out of my reading slump, but I did read it. When I got the notification from the library for this I was surprised. I had completely forgotten that I’d requested this.
I wasn’t exactly chomping at the bit to read this, but I figured why not? Brown might not be the most high brow of authors, but the man knows how to write a page turner (mostly). I still remember reading The Da Vinci Code it’s year of publication and quickly seeking out Angels and Demons and Deception Point. Ever since then I’ve made a habit of reading his books as they’re released. I enjoyed both The Lost Symbol and Inferno, and this one probably falls somewhere with those two. The wonder and awe as the action in Da Vinci Code unfolded just wasn’t there in the follow ups.
I promise I’m trying to find things that aren’t just Jane Austen related, but I guess when I read so much Jane Austen and love so much of what is produced around her it’s inevitable. I have a decent balance this week between Jane Austen and non-Jane Austen. I think it’s 50/50 this week.
I’ve been trying to make an effort recently (which I’ve made before) to read more long-form pieces (including book reviews). A lot of these pieces end up coming from The New Yorker and I noticed they spell any word that has a double vowel like coöperate or reëlect with a diaeresis, NOT an umlaut. This is a great brief article from The New Yorker about why the continue to do it – in essence to signal to non-English speakers that the word is co-operate and not coop-erate. Continue reading “Bookish Things August 2017”
This is another one of those Tarcher Perigee books that I wouldn’t necessarily go out of my way to read, but the publisher reached out to me and it sounded interesting enough that I figured why not through it into the mix and thankfully, it covered a lot more than just sports (which I was really worried about at first).
The entire premise of this book is Weinman’s son throws a fit after a tennis match he “clearly” should’ve won, but didn’t and Weinman pondered the idea of losing and not just losing, but losing in such a way that it became iconic in certain aspects of our culture.
When I read April Daniels’ debut novel, Dreadnought I lamented the length of time I had to wait until the second in the series came out. What I didn’t realize then or now was that it was only in January of this year that I read Dreadnaught and less than five months later I was able to request Sovereign, the sequel.*
Sovereign picks up not long after the events of Dreadnought and Danny is coming more to terms with her powers as Dreadnought and coming more to terms with her transition. As much as I enjoyed this book, it’s not as strong as the first. It really felt that Daniels got too heavy-handed with the queer politics, as fascinating as they were, and it distracted too much from the story for my taste. I get that it’s an integral part of the story, but it honestly just felt too much like a crutch.