I know you are desperately waiting for the fifth episode (what?!) of Come Read with Me, but you have a few more weeks to wait! I’m editing away and it will be released on time (Apr. 30). I don’t have a book post this week as I’m still trekking through The Witching Hour so I wanted to talk a bit about podcasting technology. Last week I wrote about reading technology and how simple it can be and it couldn’t be further from the complexities of podcast editing.
In general it takes me a VERY long time to edit an episode of Come Read With Me. Most of this time is because of procrastination, but a lot of it is because I’m very slow at editing and I wasn’t even editing HALF of what I’ve learned you can edit!
Thirteen months ago I wrote about Spritz, a speed reading technology that Michael finally mentioned on Books on the Nightstand this past week. And even though I think it’s an awesome technology for non-leisure reading, I want to talk about something else.
I don’t remember when I bought this, but it was definitely pre-2003 and I completely forgot I owned one until I stumbled across it last December in a desperate attempt to find my passport. I decided to write about it as I’m trekking through The Witching Hour which clocks in at over 1,000 pages and the cover was starting to get pretty beat up from being shoved into my bookbag constantly. And this will most definitely help out with that. If you didn’t read what the left half of the photo says, I’m sure you’re asking what the hell is that?
This book simultaneously highlights what is good and what is bad about the white tower of academia. It explores a specific topic in depth, while establishing absolutely nothing, other than the need for more research. I received a copy of this book from the publisher and received no compensation for my honest opinion.
I’m going to start with my frustrations with the book (or academia/academics in a broader context) first and then move to what they did well. What frustrated me most about the entire collection were the isolationist tendencies of the authors. In a move to over-compensate for any sort of collective or global identity (and not Western-wash everything) every single paper started out within the first few paragraphs by using the almost exact phrase of, “due to cultural circumstances, male sex workers (MSWs) circumstances in this country cannot be compared to those in any other country.” The reason this was so infuriating is that there were clearly overarching themes, sexual identity (or lack thereof), technology and public health, to name a few, that Manichiello and Scott picked out and even acknowledged. However, rather than encouraging the authors to use them to tie everything together within the papers across borders and identities, they were used to bridge each of the papers between the papers in editorial asides. Seriously, if they would’ve just taken this as a given, at least 50 pages could’ve been cut out of the book due to repetitiveness.
Are you a book blogger? Do you blog about other things but still read books?
I know a lot of you use different blogging platforms, but if you use WordPress I would appreciate your help. Please add your voice to my “idea” in the WordPress Ideas forum: “Customizable Goodreads Widget.”
I’m not sure if anything will come of it, but it’s worth a shot. So click here and add your thoughts, please!!!!
Note: This episode is going live early due to the holidays, traveling and the potential delay with iTunes uploading.
Welcome to Episode 3 of Come Read With Me, where my friend Patrick and I dive into Margaret Atwood’s classic dystopia A Handmaid’s Tale. Patrick agreed to be on the podcast before he even knew what the podcast was about and when I called him he was ready. I gave him a really long list of books to choose from and he chose perfectly! (His original choice was Twilight but that was reserved and will be Episode 4). If you’ve never read it you should read it, really just read all Atwood as she’s amazing.
In addition to Atwood we spoke about a wide variety of authors and Patrick’s love of creating Twitter bots. Check Patrick out on Twitter @lightaesthetic and check out his website to see some of the awesome games he’s putting together in his spare time.