I picked up my copy of this book just 11 days before Maya Angelou died last spring. I’d always had this book (Amazon link) on my list, but I’d never found a reason to pick it up and for some reason at the library book sale last year I finally added it to my pile. I knew I wanted to read it because it is one of those books that is mentioned by everyone and has such a place in American culture, but not as widely read as I probably assumed.
As I read the novel I was floored at the breadth of experience Angelou faced before she turned 17. At times the novel reminded me a lot of The Color Purple and Bastard Out of Carolina, but I have a feeling both Alice Walker and Dorothy Allison were inspired/influenced by this. That being said, of the three this is the most profound work. Perhaps because it is explicitly an autobiography (and Bastard is semi-autobiographical and Purple is a fictional novel).
I first encountered Joe Meno way back in 2011 when I read The Boy Detective Fails, which was a wonderfully quirky story. That following October at the 2011 Boston Book Festival I picked up this novel and it’s taken me almost four years to get to it. I’d love to say it was worth the wait, but I’m not really sure and that had very little to do with Meno’s writing or storytelling (Amazon link).
This was by far one of the worst copy edited books I’ve ever read. I found a mistake about halfway through (see photo at the end) and then I found them on every two-to-three pages after that. They weren’t even minor comma mistakes, which I’d miss, they were WHOLE WORDS MISSING FROM SENTENCES!
This book simultaneously highlights what is good and what is bad about the white tower of academia. It explores a specific topic in depth, while establishing absolutely nothing, other than the need for more research. I received a copy of this book from the publisher and received no compensation for my honest opinion.
I’m going to start with my frustrations with the book (or academia/academics in a broader context) first and then move to what they did well. What frustrated me most about the entire collection were the isolationist tendencies of the authors. In a move to over-compensate for any sort of collective or global identity (and not Western-wash everything) every single paper started out within the first few paragraphs by using the almost exact phrase of, “due to cultural circumstances, male sex workers (MSWs) circumstances in this country cannot be compared to those in any other country.” The reason this was so infuriating is that there were clearly overarching themes, sexual identity (or lack thereof), technology and public health, to name a few, that Manichiello and Scott picked out and even acknowledged. However, rather than encouraging the authors to use them to tie everything together within the papers across borders and identities, they were used to bridge each of the papers between the papers in editorial asides. Seriously, if they would’ve just taken this as a given, at least 50 pages could’ve been cut out of the book due to repetitiveness.
I’m calling this one. And with that I’m down to eight remaining on my 30×30 list. I told you I’d be moving through quite a few this week! After almost four hours at the Boston Museum of Fine Arts, Caroline and I were exhausted. I’m pretty sure we’ve seen 99% of it and what we haven’t seen I’m sure we will. Below is just a taste of what we saw today and if you’ve followed this blog for a while you know I’ve been to the MFA many times. You can see some of my related posts by clicking here or on the Museum of Fine Arts tab at the bottom of this post or by using the search bar!
We’ve been quite a few times together, but the last time we went we saw specific exhibits and I knew that there were still large portions of the museum I hadn’t visited and figured I might as well drag her along with me :) Our main goals today were the Art of the Ancient World and Art of Asia, Oceana and Africa wings of the museum, as we’d previously viewed the Art of the Americas, the Contemporary Art and most of the European wings.
I’m so glad the guy I’m seeing loaned this to me (even if it did throw off my schedule a bit) and I was even happier to find out that I have a Jane Austen fan-fiction novel on my shelf he wrote, Jane Bites Back. I was hesitant to read it with the whole vampire thing, but I’m looking forward to it now I’ve read this one!
I’m confused (and sad) about why there aren’t more reviews of this awesome novel on Goodreads! On the other hand, I’m glad that there aren’t that many reviews because people would leave idiot responses (including gifs) about it and then I’d just be grumpy. Not only did I love this book because of Ford’s incredibly witty and hilarious one-liners, but I enjoyed it because of how many of the books he referenced that I’ve read. From Carroll’s Alice’s Adventures in Wonderland to Maupin’s Tales of the City. I’ve clearly earned my “gay-card,” according to some of the characters.