This novel was such a fun quick read that I’m so glad I took a chance and said yes to the publisher when they reached out to me with a copy.* It didn’t hurt that they suggested I read this piece in the New York Times first and I laughed out loud multiple times (the animation is an added bonus!).
I had very little knowledge or expectations going into Ally Hughes Has Sex Sometimes other than thinking it was a quirky title and it was a debut novel. I didn’t even know it was set in Providence, Rhode Island until I started reading and did a double-take when they started naming locations around Brown University that I’ve been to. So obviously it got bonus points for that too! We all know I’m a sucker for books set in locations I have fond memories of.
After reading Tropic of Capricorn I needed a break from reading anything remotely difficult and this had been on my shelf for quite a while (June 2013) and I figured it was pretty short and murder mysteries are usually a quick read and thankfully it was both quick and interesting.
What really stood out to me was how excellently written and easily flowing the text was. Similar to Blindness and some of Paulo Coehlo’s works (Witch of Portobello Road and The Alchemist) I wonder if it is the translator, this is a different one, or if it is just the beauty of the Spanish/Portuguese language and the translation that results. I wish I would’ve read Martínez before going to Spain because I would’ve looked for one (or more) of his books in Spanish!
Having just finished reading the Marvel Illustrated version of Emma, I figured why not try the Manga Classics version! I received a copy from Udon Entertainment in return for my honest opinion with no compensation. And let me tell you, I am very glad I requested it!
The closest thing I’ve ever come to reading manga is watching Sailor Moon and Dragon Ball Z in high school and I never thought I would actually read one. I’m glad however, that I happened to listen to this Good Job, Brain! podcast the week before I read this! I felt so knowledgeable going in. This won’t be a side-by-side comparison of the two graphic adaptations of Jane Austen’s Emma, but I’m sure I will refer to the major differences between the two. But first, let’s start with how to read manga.
Before I conquer Dr. Mütter’s Marvels, I decided to read the Marvel Illustrated version of Emma. If you’re not aware, Emma is my least favorite of Jane Austen’s novels. (Gasp! Horror!) This being said, I’m getting ready to read my first manga which also happens to be Emma, so maybe I’ll find something to enjoy in the story.
I will start that having already read Northanger Abbey, also adapted by Nancy Butler and Janet Lee in the Marvel Illustrated series, it made reading this one a bit easier. I think a large part of this is a direct response to the cover art of Northanger Abbey, it was so different from Lee’s illustrations. This one had the same illustration style for the story AND the covers. It definitely helped and didn’t set up any false expectations.
This was one of those books that makes you feel so much that you can’t really respond to it. I lost track of the number of times I teared up because of what was happening in the story. Seriously, within the first 100 pages I’m pretty sure I teared up at least three times. Unfortunately, most of you will have to wait to read it until it’s released on October 27, but you should read it, trust me.
It’s always hard to finish a story, but when it’s written well and has great characters it’s that much harder. A small part of me wasn’t sad because I still have The Lost Abbey to explore when it’s finally released as a collection, but the rest of me is exhausted from living Maia’s story in such a short span of time. Having finished The Banished of Muirwood and The Ciphers of Muirwood rapidly and diving right into this, thanks to 47North*, I’ve been fully immersed in Muirwood for a little over a week (and longer if you count my binge of the first trilogy late last month).
Picking up right where The Banished of Muirwood leaves off, The Ciphers of Muirwood, or at least Jeff Wheeler, has given me hope for the middle novel of a trilogy. Wheeler talks about this in the afterword of this novel and The Blight of Muirwood and how he loves the middle novel and how it allows for characters to expand and the story to move forward. I can’t wait to re-read The Lord of the Rings and think of it this way rather than my usual, ugh the middle book. Hopefully, it’ll give me a new perspective.
This book gives us more of Maia. It goes more in-depth into her family history and answers some of the outstanding questions of the first book. I was concerned at first as it appeared to be mirroring a bit too much Lia’s journey in the Legends of Muirwood trilogy, but ultimately it was different. There will be potential spoilers to the first book in this series and to the Legends of Muirwood trilogy, so be aware.
I should keep track of when I eat my words on this blog. I thought for sure it would be some time before I revisited Muirwood, but lo and behold here I am not even a month later delving right back in.
Having access to early releases is both a boon and the bane of book bloggers. Occasionally you get access to works you’re desperate to read (i.e. any Margaret Atwood, keep an eye out) and you get access to books you’re not sure you’re going to read, but when given the opportunity you jump and this was one of those occasions.
I’m grateful to the publisher, 47North, for providing access to Jeff Wheeler’s new Muirwood trilogy: The Covenant of Muirwood, even if it did mess up my reading schedule. They provided these in return for an honest opinion and I’ve received no compensation. I’m sad I missed the window on The Lost Abbey (#1), but I think I’d rather read that in one go rather than as a serial comic.