2013 Challenges, Books, The Classics Club

Book 218: Les Misérables – Victor Hugo

Hugo, Victor - Les MiserablesIf Les Misérables is one thing, it is too damn long. I’m sure there are people who will disagree with me and I partially disagree with myself, but 1,729 pages is just outrageous. My advice to you if you want to read this novel, unless you are seriously interested or enthralled by French history, is to read an abridged version.

Don’t get me wrong, the story is amazingly, heartrendingly beautiful, but there was a lot of history that, yes, adds to the story, but is a long hard slough to get through. I’m talking upwards of 900 pages is just history and setting and had very little consequence on the story other than to set the scene. By time I got to volume five of the book it was a struggle to get through. I mean there were fascinating facts like how much sewer there is below Paris, but I did not need to know who put it there and who mapped and cleaned it!

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2013 Challenges, Books

Book 169: In the Skin of a Lion – Michael Ondaatje

Ondaatje, Michael - In the Skin of a LionNow, having read two books by Michael Ondaatje, one thing is certain: his writing is incredibly smooth and beautiful, especially when it comes to the description of scenes and settings. The best comparison I can think of is a deep voice talking soothingly (like James Earl Jones or Donald Sutherland. And in all honesty, I’m pretty sure I read Ondaatje’s books with a Sutherland voice in my head. In the Skin of a Lion is my third Mount TBR book, but not an officially listed book, but one I expected to read.

As I read the story, I kept forgetting that the novel is told as a retelling of the story. It starts out with, this is when (and how) this story is told and I just forgot about it. And forgetting about this really affected my ability to enjoy the story. I kept thinking this is pretty disjointed and wondering who the narrator was talking to. Rereading the ‘forward’ helped put it back into perspective, but I should’ve paid more attention from the start.

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Books, Quotes, The Classics Club

Book 138: Doctor Zhivago – Boris Pasternak

Doctor Zhivago counts for three challenges, and actually wraps up one of my 2012 Challenges! It counts for the Back to the Classics Challenge (6 of 9), The Classics Club (12 of 100), and is my final book for the Tea and Books (8 of 8) challenge! I will do a wrap up post for the Tea and Books challenge early next week. For the Back to the Classics Challenge, this book was the novel from a place I realistically wouldn’t visit. After reading Doctor Zhivago and Anna Karenina I can say my aversion to visiting Russia is less, but I still would list it as not likely to travel to.

One thing I’ve learned that is vitally important when reading a classic novel is that you have to read the introduction. Sure it might tack on 20-30 extra pages, but they are there for a reason and they reveal so much information that is incredibly useful when reading a book, not to mention they give you a head’s up of what to look for as you read. For example, in the introduction to Doctor Zhivago, the following quote points out how the novel is written.

“Pasternak’s vision is defined by real presence, by an intensity of physical sensation rendered in the abundance of natural description or translated into the voices of his many characters.” (loc. 146)

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