In a further attempt to get a few more posts up while I’m on vacation I went to my TBR shelf and found I had two more Paulo Coelho novels yet to go so I grabbed them to read. They’re always easily written, well translated and fascinatingly beautiful and The Witch of Portobello (Amazon Affiliates link), was no exception. I’m actually not sure when I picked up this book as I can’t find a photo of it, so I’m going to assume it was sometime in 2011 right after I read The Alchemist.
Every time I read a book by Coelho, I find myself wondering about and searching for my spirituality. Whether he is talking about the Mother or organized religion (usually not), Coelho has a way of writing incredibly complex ideas and intricate narratives that is so simple and beautiful that it’s almost breath-taking. I do wonder if it is even more beautiful in his native Portuguese, how can it be so incredibly beautiful translated into English and not be beyond beautiful originally. So that being said, some credit must, obviously, be given to Margaret Jull Costa who has translated other works by Coelho including Veronika Decides to Die and Eleven Minutes (my next read) and many works by José Saramago including Seeing.
In the longest episode yet I talk with one of my roommates, Mike, about two VERY long books Hyperion and The Fall of Hyperion, the first two novels of the Hyperion Cantos by Dan Simmons.
I’m sad I had to cut out as much as I did (including a great aside about Doctor Who), but I think you’ll enjoy this one. We talk about science fiction and religion, technology and the fear of Artificial intelligence and even delve briefly into religion and philosophy, and what all of these mean for the future of society. (We’re so smart!)
I did use this episode as a weird transition episode. You’ll start to see hints of what I’m working into the next episode from my “podcast class,” but because this was recorded well before I did that class there are no actual transitions, I hadn’t recorded actual transitions yet, just the page turning sounds.
The Hobbit and The Lord of the Rings – J.R.R. Tolkien
I was able to do a lot more editing wise so hopefully the sound quality is a bit better than usual! I’m also mulling over a few more changes, like starting with the guest reading as the intro and then going into the discussion, but I’m not sure.
I really need to stop saying that I love fantasy and am not a fan of science fiction. This was one of those novels that reminds me how much I enjoy thoroughly well written science fiction and often times the lines between science fiction and fantasy are blurred.
It was actually interesting as I read this novel that I wanted to know more about the technical and physical engineering/feats of the book. I wasn’t satisfied with the answer being “it was” or “just because.” I say this is funny, because that’s the part that has always put me off from science fiction. The too detailed focus on the technology, the terraforming, the space travel and the other more technical/physical aspects as opposed to the exploration of new planets, the contact with alien life and the mental and physical reactions to all of the above, really made me question why I say I’m not a big fan of science fiction.
Now THIS is how you end a trilogy. I assume this is the end, but I guess it could start-up again. Peaches for Father Francis picks up four years after the events of The Girl With No Shadow and eight years after the original Chocolat. I’m still so happy that I found out this was a series and that I took the time to read the second and third novels, even if it did put me behind on a few other books!
What I enjoyed most about this novel is that the magic once again took a back seat to a larger social conflict. In the middle novel, The Girl With No Shadow, magic took the front seat and that was great because middle novels are always sort of meh, but in having the magic return to less of a focal point the story, I felt, evolved much more naturally.
This book has been on my to-be-read shelf for so long it took quite a while to trace where and when I bought it! I apparently picked it up way back in October 2012 when I helped out at the Somerville Public Library book sale! I’m glad I grabbed a copy. I own a copy of the film, but for some reason I never realized they adapted it from a novel!
Add in that when random.org selected it as my next book and I prepared to read it I found out it was a trilogy, my mind was BLOWN! I was a little grumpy at first, because I had a plan worked out to read more of my to-be-read shelf and was trying really hard not to add more in between the books, but I do love a good trilogy! I plan to read two and three, The Girl With No Shadow and Peaches for Father Francis, in the next few weeks and am VERY excited about them!
Give me a book about a another book (missing, newly discovered, controversial, etc) and I’m happy. The writing could even be mediocre (this one was better than mediocre) and I can still deal with it!
I’m pretty sure this only serves to further verify I am a bibliophile, which isn’t at ALL shocking. I requested and received a copy of this book from the publisher after previewing it on NetGalley and received no compensation in return for my honest opinion.
Overall, I enjoyed the novel. It was a quick and fascinating read. However, I had some issues (and this may be from the fact this was a digital ARC copy) with the books structure. The book is set up as three intertwining stories: the original story/timeline of Robert Green’s Pandosto (1592-1879) (Wikipedia link), the beginning of Peter and Amanda’s relationship (early-to-mid 1980s – 1993/4) and the current events of the story (1995).You can imagine how this would be a bit confusing, especially as I never read anything about a book before I jump into it!
I stumbled across Sánchez’s work on NetGalley when I requested The Art Restorer, reviewed later this week. The publisher was incredibly accommodating and provided a galley of this for me to review as well! (Damn me and my completion-ist tendencies!) I received no compensation in return for my honest response to the novel.
Although it started off a bit slow, maybe as a result of the translation?, I quickly fell into the book and ended up loving it! The closest thing I can find to compare it to is Dan Brown’s Robert Langdon series (I’ve reviewed the two most recent here and here)! I won’t spend too much time comparing the two works/authors, because I want to give Sánchez his due, but suffice to say this novel (and what I’ve read of The Art Restorer) are SO much better.