Now THIS is how you end a trilogy. I assume this is the end, but I guess it could start-up again. Peaches for Father Francis picks up four years after the events of The Girl With No Shadow and eight years after the original Chocolat. I’m still so happy that I found out this was a series and that I took the time to read the second and third novels, even if it did put me behind on a few other books!
What I enjoyed most about this novel is that the magic once again took a back seat to a larger social conflict. In the middle novel, The Girl With No Shadow, magic took the front seat and that was great because middle novels are always sort of meh, but in having the magic return to less of a focal point the story, I felt, evolved much more naturally.
This book has been on my to-be-read shelf for so long it took quite a while to trace where and when I bought it! I apparently picked it up way back in October 2012 when I helped out at the Somerville Public Library book sale! I’m glad I grabbed a copy. I own a copy of the film, but for some reason I never realized they adapted it from a novel!
Add in that when random.org selected it as my next book and I prepared to read it I found out it was a trilogy, my mind was BLOWN! I was a little grumpy at first, because I had a plan worked out to read more of my to-be-read shelf and was trying really hard not to add more in between the books, but I do love a good trilogy! I plan to read two and three, The Girl With No Shadow and Peaches for Father Francis, in the next few weeks and am VERY excited about them!
Give me a book about a another book (missing, newly discovered, controversial, etc) and I’m happy. The writing could even be mediocre (this one was better than mediocre) and I can still deal with it!
I’m pretty sure this only serves to further verify I am a bibliophile, which isn’t at ALL shocking. I requested and received a copy of this book from the publisher after previewing it on NetGalley and received no compensation in return for my honest opinion.
Overall, I enjoyed the novel. It was a quick and fascinating read. However, I had some issues (and this may be from the fact this was a digital ARC copy) with the books structure. The book is set up as three intertwining stories: the original story/timeline of Robert Green’s Pandosto (1592-1879) (Wikipedia link), the beginning of Peter and Amanda’s relationship (early-to-mid 1980s – 1993/4) and the current events of the story (1995).You can imagine how this would be a bit confusing, especially as I never read anything about a book before I jump into it!
I stumbled across Sánchez’s work on NetGalley when I requested The Art Restorer, reviewed later this week. The publisher was incredibly accommodating and provided a galley of this for me to review as well! (Damn me and my completion-ist tendencies!) I received no compensation in return for my honest response to the novel.
Although it started off a bit slow, maybe as a result of the translation?, I quickly fell into the book and ended up loving it! The closest thing I can find to compare it to is Dan Brown’s Robert Langdon series (I’ve reviewed the two most recent here and here)! I won’t spend too much time comparing the two works/authors, because I want to give Sánchez his due, but suffice to say this novel (and what I’ve read of The Art Restorer) are SO much better.
Of the three books in the On the Seventh Day trilogy, this was my favorite. It has been almost two years since I read By the River Piedra I Sat Down and Wept and Veronika Decides to Die was too institutional for me, but this novel was great and approaches the simplicity and beauty of The Alchemist, but kept the idea of an external catalyst which Veronika Decides to Die had.
As with the last novel it’s difficult to go into this one without revealing too many details. A stranger visits the unchanging village of Viscos and creates an ethical/spiritual dilemma that the entire village must agree or disagree to participate in, all or nothing. As with Coelho’s other novels this novel focuses on very few people, but they are ordinary. He said it best in the author’s introduction, Click here to continue reading.
I’m exhausted. This series has spanned 2.200+ pages and more than 10 centuries! It covers lifetimes of characters, many lived over and over and a few lived once throughout the entire story! (20 years shy of 1000 years old, one character!) The story was convoluted and continuously changed which ultimately worked for and against the series.
As the concluding novel in this epic story, it felt a little hollow. There were definitely moments of amazement and creativity and Simmons intelligence once again comes across unquestionably, but for some reason it just felt a little hollow and most definitely rushed at the end. Even though I hadn’t fully thought through the end of the novel when I got there I was not surprised at the ending. It did feel a little deus ex machina, but with a “machine” like the Shrike, how could it be any other way?
If I’m completely honest, I expected this book to fail miserably. After the feeling of utter astonishment at the brilliance of the first two novels in the Hyperion Cantos, how could the follow-up novels remotely compare?
Thankfully, this first one was excellent. Simmons solved part of the problem by fast forwarding almost 300 years into the even further future and starting from there. As with the first two novels, Hyperion and The Fall of Hyperion, this novel is told from someone who is simultaneously outside (looking back) and inside of the story, essentially revolving around them. The novel’s opening definitely put me on guard and I was very worried that I wouldn’t see any of the characters from the previous novels, but we already knew the technology existed to extend life well beyond a normal lifespan and thankfully some came back!