I’m still torn on this novel. It’s been almost a week since I finished it. The response was delayed due to not knowing how to respond to the novel, but also my having to fly down to NC for family matters. On the plus side I got to visit Highland Books again, which the author’s parents own and run. If you check out the website, you can see her signing books in the shop.
I found it frustrating and satisfying. Most of this had nothing to do with the novel itself, but with the time between this novel and Her Dark Curiosity. I loved it and The Madman’s Daughter when I first read them, but I couldn’t remember enough of the details to truly enjoy this novel. Maybe this just means I’m getting old, but I’ve avoided starting any new series until it is either completely finished or it’s a long enough series I can re-read. Click here to continue reading.
The great part about The Austen Project, is I can read them in any order I want! Just like Austen’s original books :-D I decided to read this one as we just read the original Northanger Abbey for Jane Austen Book Club and I loved it. The not so great part is reading this one made me wonder if I would have enjoyed Austen when she was originally published. I say this not as a commentary on the writer, whose skills were amazing and the ending had me in hysterics on the T, but as a commentary on holding up a mirror to young adult society today. The summary of the novel (Amazon Affiliate link), might not have made me read this if I wasn’t aware of the original, but McDermid drew me in pretty quickly.
The whole premise of the project is around the 200th anniversary of the publication of Jane Austen’s novels contemporary authors are retelling her stories in the modern age. We’ve all seen modern adaptations of classics like “Clueless” (Emma) and “10 Things I Hate About You” (Shakespeare’s Taming of the Shrew), but this is more along the lines of Pride and Prejudice and Zombies (Boooo!) or Sense and Sensibility and Sea Monsters (YAY!!!!) in that the story is verbatim with minor changes. In this case it’s brought into the 21st century and takes place in Edinburgh instead of Bath.
I finally got around to reading this after winning a copy back in December of 2012 from Rebecca at Love at First Book. And my first response is WOW. I don’t know how I do it, but somehow I managed to avoid all spoilers about this book and as just as shocked/pissed/angry as I would’ve been two years ago if I read it when I first won a copy. In an attempt to not reveal any spoilers, this will be a very short and very vague response to the novel.
If there is one thing I dislike about many books, it is unreliable narrators, when you added in that this book has two unreliable narrators that seriously like to mess with each other mentally I’m surprised I made it through the novel. It is definitely a page turner and as you get further into the mental mire that is Nick and Amy’s relationship, you can’t get out as easily. When I turned the page to “Part Two: Boy Meets Girl,” I swore out loud and my sister thought I had finally lost it, but I was just that mad at the book.
If you’ve ever read this blog before you know I really love two things: books and Jane Austen. So when I found out Charlie Lovett, author of The Bookman’s Tale wrote an Austen fan-fiction novel (my label) I was super excited! I requested a copy from the publisher and received no compensation for my opinion.
Many authors have tried to write novels featuring Jane Austen at the time she wrote her stories and try to connect her novels to her life. However, few have done it as well as Lovett has in First Impressions. The author worked around many of the issues other authors face (mirroring Austen’s language and getting the time period and personality of Austen and her characters correct) by immediately jumping into Jane Austen’s life. The book opens in the late 1700s with Austen on a walk through the countryside (hello Lizzie Bennet) and as the reader gets to an interesting point Lovett jumps to modern-day London. This could be confusing, but Lovett does it effortlessly.
As I said in my response to Chocolat, I had no idea there were sequels and I’m so glad I decided to read them. I haven’t started the third, Peaches for Father Frances, but I’m excited to start it soon.
Harris takes the story of Vianne and Anouk we followed in Chocolat and expands the age-old battle between good and evil. Instead of the church, this time Vianne and Anouk, now Yanne and Annie, are battling evil itself and magic takes an even more prominent role in this story than in the first. And I was glad she did! She writes about magic in such a way as to make it beautifully common.
“It took me a little longer to recognize these things as magic. Like all children reared on stories, I’d expected fireworks: magic wands and broomstick rides. The real magic of my mother’s books seemed so dull, so fustily academic, with its silly incantations and its pompous old men, that it hardly counted as magic at all.” (67)
Beautifully common, might sound like an oxymoron or an insult, but it’s not. Harris’ writes about it so matter of fact and sets it up that way in this novel, common usage versus evil usage, that you can’t help but appreciate the beauty of the magic she chooses to write about.
I don’t care what people say. I love J.K. Rowling.
She is a skilled story-teller and talented writer. With the two types of reactions most people have when they hear her name, it’s easy to see why she wanted her name kept far from her works as Robert Galbraith. Unfortunately, this didn’t happen, but this was a bonus for those of us who would never have discovered them.
On one side, you have those with visceral negative reactions to her and her writing. (A lot of the time by those who’ve never read her books.) And on the other side, you have the people who adore them solely because it’s J.K. Rowling; Obviously. Thankfully, I’m somewhere in the middle. I can both appreciate her as an evolving writer and find fault in her skills as a story-teller, especially in her post Harry Potter novels. (I’m still waiting for the, hmm Harry Potter isn’t as wondrous as I first thought it was moment, but it still hasn’t happened.)
Give me a book about a another book (missing, newly discovered, controversial, etc) and I’m happy. The writing could even be mediocre (this one was better than mediocre) and I can still deal with it!
I’m pretty sure this only serves to further verify I am a bibliophile, which isn’t at ALL shocking. I requested and received a copy of this book from the publisher after previewing it on NetGalley and received no compensation in return for my honest opinion.
Overall, I enjoyed the novel. It was a quick and fascinating read. However, I had some issues (and this may be from the fact this was a digital ARC copy) with the books structure. The book is set up as three intertwining stories: the original story/timeline of Robert Green’s Pandosto (1592-1879) (Wikipedia link), the beginning of Peter and Amanda’s relationship (early-to-mid 1980s – 1993/4) and the current events of the story (1995).You can imagine how this would be a bit confusing, especially as I never read anything about a book before I jump into it!