If you’ve ever read this blog before you know I really love two things: books and Jane Austen. So when I found out Charlie Lovett, author of The Bookman’s Tale wrote an Austen fan-fiction novel (my label) I was super excited! I requested a copy from the publisher and received no compensation for my opinion.
Many authors have tried to write novels featuring Jane Austen at the time she wrote her stories and try to connect her novels to her life. However, few have done it as well as Lovett has in First Impressions. The author worked around many of the issues other authors face (mirroring Austen’s language and getting the time period and personality of Austen and her characters correct) by immediately jumping into Jane Austen’s life. The book opens in the late 1700s with Austen on a walk through the countryside (hello Lizzie Bennet) and as the reader gets to an interesting point Lovett jumps to modern-day London. This could be confusing, but Lovett does it effortlessly.
I don’t care what people say. I love J.K. Rowling.
She is a skilled story-teller and talented writer. With the two types of reactions most people have when they hear her name, it’s easy to see why she wanted her name kept far from her works as Robert Galbraith. Unfortunately, this didn’t happen, but this was a bonus for those of us who would never have discovered them.
On one side, you have those with visceral negative reactions to her and her writing. (A lot of the time by those who’ve never read her books.) And on the other side, you have the people who adore them solely because it’s J.K. Rowling; Obviously. Thankfully, I’m somewhere in the middle. I can both appreciate her as an evolving writer and find fault in her skills as a story-teller, especially in her post Harry Potter novels. (I’m still waiting for the, hmm Harry Potter isn’t as wondrous as I first thought it was moment, but it still hasn’t happened.)
Atwood is an incredible writer and story teller and there’s really not much more that needs to be said, so when I saw her newest collection of short stories I knew I had to request it! I received a copy from the publisher, in return for my honest opinion:
That would be a little cruel, to leave it just at that even though it would still describe it perfectly. Below, you’ll find a one-to-two sentence review of each of the nine tales and a single quote from each.
On a different note, if you haven’t heard Margaret Atwood is the first author of the future library! This is a project where authors are asked to write a work and it won’t be read for 100 years. This makes me both incredibly happy, as she writes such fantastic speculative/near future fiction, but also sad that I won’t be able to read it! It’s a fascinating project and I could go into it in detail, but really you should just read about it at The Guardian.
Honestly, I think even in high school I only partially read The Red Pony and The Pearl (or maybe I did actually read them, because they’re both novellas and pretty short), but the point is I finished a BIG one! In addition to it being a “full” Steinbeck novel, it counts toward both my Classic Club list (32/100) and as part of my 30 x 30 list!
I’ve always felt a little guilty at the lack of American authors on my read list and not having Steinbeck seems like a big omission. I’ve read many American authors, mostly before I started this blog, but Steinbeck is one of those which really is synonymous with America. He is America, a very specific swath and very specific time period of America, but he is America none-the-less.
Give me a book about a another book (missing, newly discovered, controversial, etc) and I’m happy. The writing could even be mediocre (this one was better than mediocre) and I can still deal with it!
I’m pretty sure this only serves to further verify I am a bibliophile, which isn’t at ALL shocking. I requested and received a copy of this book from the publisher after previewing it on NetGalley and received no compensation in return for my honest opinion.
Overall, I enjoyed the novel. It was a quick and fascinating read. However, I had some issues (and this may be from the fact this was a digital ARC copy) with the books structure. The book is set up as three intertwining stories: the original story/timeline of Robert Green’s Pandosto (1592-1879) (Wikipedia link), the beginning of Peter and Amanda’s relationship (early-to-mid 1980s – 1993/4) and the current events of the story (1995).You can imagine how this would be a bit confusing, especially as I never read anything about a book before I jump into it!
If it weren’t for the strength of the last book and Colfer’s series in general, the opening line of this novel might’ve made me turn back! I originally requested a copy of this from the publisher and you can read about my issues here (last paragraph under Books and Bookish – yes I’m naming and shaming now).
However, given the opening lines “meh” and the fact this is a second book in a series (almost always “meh”) this book turned out to be almost as good as The Reluctant Assassin the first of the W.A.R.P. series.
Part of the struggle, for me, with this novel is that the first one came out early last year and I’ve read so many books since then! Add in that this book starts in an alternative present and it took a few chapters to really start remembering characters and what happened in the previous book. I’m not sure if every book will be like this and I’m pretty sure not with the way this ended but there was a Chekhov gun introduced that I’m assuming will span the series (or at least another book)!
I’m always happy when I discover an author new to me. As I said on Monday in my response to The Antiquarian, I stumbled across Sánchez’s work on NetGalley and requested a copy of this novel. I received a copy of The Art Restorer from the publisher and received no compensation for my honest opinion.
Whereas in the first novel of this series, The Antiquarian, Sánchez completely sold me on his writing and story telling, this novel fell a little short. The story was still fascinating and excellently written, how the story was told bordered a bit too much on the Hollywood/Dan Brown scale. However, I can’t decide if this is a part of Sánchez’s writing style for the story within this story, or if it is something that happened in his own processes.