Coming back to Maupin’s San Francisco is like going home after a really long vacation. There’s something comforting and something genuinely nice about being back on Barbary Lane. (See the first quote under Additional Quotes).
I can’t believe it’s been almost three years since I binge read Tales of the City, More Tales of the City, Further Tales of the City and Babycakes. And like everyone else who has ever read a single one of The Tales of the city books, I’m finally taking the time to catch up on the series, which has spanned five decades so that I can read the final (I’m assuming) novel in the series The Days of Anna Madrigal released at the beginning of 2014. I won’t binge read them, but they’re such quick reads I plan to read them all this year.
I saw this book first on Sarah’s blog Sarah Reads Too Much and as soon as I saw the author and read her review I knew I wanted to read it. My first introduction to Bill Konigsberg was through his debut novel Out of the Pocket. It’s hard to believe I read it three years ago AND it was my very first book on my old Sony e-reader.The best part is as I did a quick re-read of that post Konigsberg answered quite a few of my critiques and he’s clearly matured as a fiction writer over the past few years!
As I read the book I couldn’t help but notice the similarities between this and Andrew Smith’s Winger which was a great novel I read last year. However, they are distinctly different and as much as I enjoyed Winger I would probably put this one ahead, not for the writing, but for the story and the subject matter.
This is the fourth book in the Robert Langdon series and Brown’s sixth novel. As with the others, this is exactly what it sets out to be: a page turning action and adventure novel that although not a literary wonder Inferno does make you wonder about major societal and environmental issues. The entire story takes place in less than 24 hours with flashbacks to two days before.
The only other Robert Langdon novel I’ve read since starting this blog is the third installment The Lost Symbol. I’ve read all of Brown’s books and enjoy them for what they are and don’t judge them harshly like it seems most people do. I remember reading The Da Vinci Code the summer between high school and college and immediately going out to find copies of Angels and Demons, Digital Fortress and Deception Point. (Call it my hipster moment, but I read it BEFORE it took off.)
I’d love to say that Fowles’ mentioning of Jane Austen didn’t sway me, but of course it did a little, but overall that was minuscule compared to the mastery Fowles showed in this novel and he mentioned Austen and her works MULTIPLE times! But it wasn’t this that made the book so great, it was the omniscient unidentified narrator and the breaking of the fourth wall (I guess it’s called that in reading as well).
How do I approach this book? I want to be honest, but I don’t want to be too over the top in either direction. I received a copy of Marionette via the author, who is a great blogging buddy, and this is my honest response and I received no compensation for my response.
I guess I’ll just rip the band-aid off. I HATED the first half of the book. (Sorry TBM!)
I can’t put a finger on it, but I’ll call it sophomore slump. I’ll talk more later in the response, but I just could not identify with Paige even though there was a great line which convinced me I was going to! TBM’s first book, A Woman Lost, was a phenomenal debut novel, but this one fell short (at least for the first half of the book). However, with that said, the last half of the book was AMAZING (mostly :-D).