I just want to start by saying if by some odd chance you’re the publisher of this book, you need to pay for better copy writers. There were quite a few mistakes in this novel in the text and maybe it was part of the ‘style’ but I really doubt it.
Although I’ve enjoyed reading both of the books in the Kane Chronicles so far, I still think it is the weakest of Riordan’s series. They’re definitely action packed and entertaining, but overall I just can’t truly appreciate the characters as much as I can in his other two series and I’m not sure why. Part of this I think comes from the style of the writing and the other part comes from the inability to identify with any of the minor characters. Although I think he did a better job with this book, it just didn’t click perfectly with me. However, don’t get me wrong it was still a fun read and I appreciated seeing Carter and Sadie grow and meeting new characters. I just wish there was more.
This novel picks up not long after the last novel, but there is A LOT of information that is never filled in and that drives me insane! This novel just sort of picks up and a lot of things have changed and it’s like you’re supposed to accept that and move on, which you have to do, because there’s no other way to get that information. Part of this comes from Riordan’s style of writing in that this novel is just a transcript of a tape he ‘discovered’ and that added to the personalities of Sadie and Carter this time, but it left so much information out like more information where the other magicians came from, what they’re doing and what they’re planning to do!
I can’t wait for the next in this series to come out!
When it does, I’m going to re-read the first three all over again because there were so many details I only vaguely recalled AND their just fun reads! (Although this might not happen as The House of Hades‘ scheduled publication is August 2013, but I hope to get the chance!)
From what I do recall from the first two books, this is definitely more action packed and definitely not lacking. However, in the end it was just as much a tease as the others. For the entire book I held out hope that some of the major plot lines of the series would be wrapped up, but only one of them was (which was definitely nice). I was, however, very glad that the seven demigods from the prophecy were finally together and the teen angst in the book definitely added to the plot (although I’ve yet to read an author who does teen angst as well as J.K. Rowling).
What’s great is Riordan is slowly perfecting his new style of writing (third person narration) and I think he’s improved over the last few of his novels. In addition he’s stuck with his strengths of weaving disparate stories (and cultures) together and creating a crazy cacophony of non-stop action.
What is there to say about this wonderful book that hasn’t already been said in some way or some form? Not much honestly, so this isn’t much of a review. It’s more a response/regurgitation of my immediate thoughts having finished reading it Wednesday evening.
I’m glad I squeezed in a re-read of The Hobbit this year for a couple of reasons: it’s the 75th anniversary of its original publication; I haven’t re-read it since high school; the first of the films comes out this year; and there was an awesome panel at the 2012 Boston Book Festival about the book, the movie, the previous adaptations and the associated artwork.
What I enjoy most about The Hobbit is that it’s a tale told as a story. Tolkien tells the story as if you are one of his children snuggled up in bed waiting to find out what adventures happened from the night before and you can hear and experience this in the writing. And this is one of the things that makes me want to perhaps try an audio version of this book.
However, at the same time that this makes the tale magical, it also detracts, only minimally, from the story. The writing at times isn’t as concise, clear or powerful as it could be because I believe Tolkien sacrificed some of this for simplicity and spoken voice. But, as I said, I am perfectly okay with this.
What a messed up novel. And I mean that in a really good way. Like I’m shaking my head saying to myself, ‘What in the world?’ I mean seriously, where do authors come up with ideas like this? I’m sure Levin at some point discussed it in an interview, but I don’t really want to know it’s that strange.
(Also, in honor of the occult in this novel, I’m posting this on 12/12/12 at 12:12. Haahaa! – It just happened to be ready to be posted on 12/12/12 and I was like might as well post it at 12:12)
I read Rosemary’s Baby for our Books into Movies book group at the local library, and for lack of a better word, it was an interesting read. Perhaps strange is a better word, or odd, but not like oh this is strange, but like what a strange ass story. Regardless, this book once again reaffirms why I am glad that I participate in a book group with such a wide range of individuals. It takes me out of my reading comfort-zone and introduces me to some pretty interesting and weird novels. I’m strangely looking forward to the film if only because it is such an iconic thriller, and from the introduction I know that it stays close to the book.
I am done with all of my challenges for 2012! Upon completion of this book I wrapped up the Back to the Classics Challenge, so keep an eye out for the wrap up post on Thursday; this book also counts for the Classics Club.
I originally chose Lysistrata as my “Classic Play” for the Back to the Classics Challenge, but when I realized how short it was I felt guilty so found this version of the play accompanied by The Acharnians and The Clouds. I had a vague idea of Lysistrata‘s themes and story and I’m glad I read it. The other two I’m pretty sure I could’ve done without. It has been so long since I read an Ancient Greek play that these really were a struggle and although I’m glad I read them, I will not go out of my way at all in the near future to read anymore Ancient Greek works.