This novel was such a fun quick read that I’m so glad I took a chance and said yes to the publisher when they reached out to me with a copy.* It didn’t hurt that they suggested I read this piece in the New York Times first and I laughed out loud multiple times (the animation is an added bonus!).
I had very little knowledge or expectations going into Ally Hughes Has Sex Sometimes other than thinking it was a quirky title and it was a debut novel. I didn’t even know it was set in Providence, Rhode Island until I started reading and did a double-take when they started naming locations around Brown University that I’ve been to. So obviously it got bonus points for that too! We all know I’m a sucker for books set in locations I have fond memories of.
I didn’t think it was possible, but I liked this one even less than Tropic of Cancer. Seriously, I was in no way a fan of this book. The amount of raunchy sleazy descriptions in Tropic of Capricorn, if possible out weight those in the first novel.
The only thing I can truly say I’m grateful for is that I got it off my shelf where it’s languished since the 2010 Boston Book Festival (it was the last one!). It also counts toward my Classics Club list so yay for that too!
I can’t even pretend it’s hard to say why I didn’t like this book, it really was just too much sex, misogyny, sexual assault and crass language. When you add in the stream-of-consciousness I’m surprised I even got through the book. It’s no wonder the book was banned in America (Wikipedia link) for 30 years. I don’t believe in book banning or censorship, but this really tested my limits.
This is one of those books that has so much umph in the cultural milieu that it’s a wonder I’ve never read it before. I squeezed it in just in time this month to get a podcast recorded to be released at the end of the month. If you’re in the Boston area and you want to record one let me know! :-D But, more importantly than podcasting, this book counts as the 43 book of my Classics Club journey. (See, I told you I was still chipping away). I’m so far off target it’s not even funny, but I’m glad that I’m still occasionally reading from my list.
Let’s start with the big to-do about this novel. Maybe it’s not that much of a to-do, but it felt like one. I still don’t know how much of this novel to believe is fiction. It’s very clearly labeled as fiction and yet it is very clearly Plath’s own personal story. I mean her mom wrote a letter to the American publishers saying these are real people and real stories thinly veiled as characters! There is one point where I couldn’t help but laugh because Plath writes Esther, the main character, writing a novel about a character doing the same thing. HOW META CAN YOU GET?! This is the same story being told by three different people all of whom are telling/experiencing the same story.
My final foray, at least for the time being, into professional development was Badowski’s Managing Up: How to Forge an Effective Relationship with Those Above You, and if I’m completely honest it’s the only one I should have read.
I enjoyed the “theory” and the “professional opinions” in the Harvard Business Review compilations I read, Managing Up (The 20-Minute Manager Series) and HBR Guide to Managing Up and Across, but neither of them had the wit, the humor or the charm of this book. Seriously, there is something to be said about reading a book that could be an incredibly boring (or pedantic) subject that makes you laugh out loud or giggle to yourself on public transportation. They all provide great advice, but this book offered the advice through the art of storytelling and not the other way around.
As a part of every episode of Come Read with Me, I ask my friends to recommend a book. I do this because I know it will take me out of my comfort zone, but I also do it because it helps me get to know them better. Mike from Episode 5 where we discussed the first half of the Hyperion Cantos recommended this and WOW.
I have a feeling this is going to be one of those books that continues to grow on me the further I get away from it. I only rated it “4 out of 5” on Goodreads, but I’m already wondering if as the ideas presented in the book sink in if I will adjust that even higher. I looked into the Turner Tomorrow Fellowship Award (aka read the Wikipedia link) and found it interesting, but I’m not sure if it does what the award wanted. Ishmael is incredibly creative and I think does most of what the award wanted, but I guess it’s a good thing I wasn’t on the committee.
I picked up my copy of this book just 11 days before Maya Angelou died last spring. I’d always had this book on my list, but I’d never found a reason to pick it up and for some reason at the library book sale last year I finally added it to my pile. I knew I wanted to read it because it is one of those books that is mentioned by everyone and has such a place in American culture, but not as widely read as I probably assumed.
As I read the novel I was floored at the breadth of experience Angelou faced before she turned 17. At times the novel reminded me a lot of The Color Purple and Bastard Out of Carolina, but I have a feeling both Alice Walker and Dorothy Allison were inspired/influenced by this. That being said, of the three this is the most profound work. Perhaps because it is explicitly an autobiography (and Bastard is semi-autobiographical and Purple is a fictional novel).
I first encountered Joe Meno way back in 2011 when I read The Boy Detective Fails, which was a wonderfully quirky story. That following October at the 2011 Boston Book Festival I picked up this novel and it’s taken me almost four years to get to it. I’d love to say it was worth the wait, but I’m not really sure and that had very little to do with Meno’s writing or storytelling (Amazon Affiliate link).
This was by far one of the worst copy edited books I’ve ever read. I found a mistake about halfway through (see photo at the end) and then I found them on every two-to-three pages after that. They weren’t even minor comma mistakes, which I’d miss, they were WHOLE WORDS MISSING FROM SENTENCES!